Adrian Prakhov
Portrait by Ivan Kramskoi.
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Adrian Victorovich Prakhov (Russian: Адриан Викторович Прахов; 16 March 1846, Mstislavl - 14 May 1916, Yalta) was a Russian art critic, archaeologist and art historian.
Biography
In 1863, he entered Saint Petersburg University, where he studied history and philology.[1] After graduating in 1867, he was sent abroad for further studies, in preparation for employment with the Department of Art History.
In Munich, he attended the lectures of several scientists, including Heinrich Brunn, and studied the examples of Ancient Greek art in the collection of the Glyptothek. This was followed by similar studies in Paris, London, Berlin, Vienna and Italy, where he became a member of the German Archaeological Institute of Rome.[2] Upon returning in 1873, he was awarded a Masters Degree for his thesis, "On the restoration of the eastern group of pediments at the temple to Aegina in Athens".[1] Shortly after, he was chosen to be a lecturer.
From 1875 to 1878, he edited an illustrated magazine called Пчела (The Bee) and, from the same year to 1887, he taught the history and theory of fine art at the Imperial Academy of Arts.[2] He received his Doctoral Degree in 1879 for his dissertation, "The Architecture of Ancient Egypt".[1] After that, he turned to Ancient Russian art of the early Christian period, researching and sketching the mosaics and murals at Saint Sophia's Cathedral and St. Cyril's Monastery in Kiev.[2] From 1881 to 1882 he travelled throughout Greece, Turkey and the Middle East. In 1886, he studied the Assumption Cathedral and several other structures in Volodymyr-Volynskyi.[1]
The following year, he copied the unique frescoes at St. Michael's Monastery. The originals were lost in 1934, when the Soviet government demolished the monastery. That same year (1887), Prakhov moved from the University of Saint Petersburg to the University of Kiev, where he taught until 1897.
While there, he was in charge of managing interior decoration for St Volodymyr's Cathedral, including marble and bronze works, frescoes and furniture. He made two trips to Greece to study Byzantine decorative styles and oversaw a large group of well-known Russian and Ukrainian painters, including Victor Vasnetsov and Mikhail Nesterov. In 1897, he returned to his former chair in Saint Petersburg and remained there until his death.[1] After 1901, he and Alexandre Benois edited Художественные сокровища России (Russian Art Treasures), the monthly journal of the Imperial Society for the Encouragement of the Arts.
His wife, Emilia, was a concert pianist who had studied with Franz Liszt and also posed as a model for the painter, Mikhail Vrubel. His daughter, Elena and son, Nikolai, were both painters.
Writings available online
- Критические наблюдения над формами изящных искусств. Зодчество древнего Египта. (Critical observation of forms of Fine Arts. Architecture of Ancient Egypt) 1880.
- Киевское искусство X, XI и XII вв. Каталог выставки копий с памятников искусства в Киеве X, XI и XII вв. (Kiev Art X, XI and XII centuries. Catalog of the exhibition of copies of works of art in Kiev, X, XI and XII centuries) 1883.
- Открытие фресок Киево-Кирилловской церкви XII века, исполненное в 1881 и 1882 г.г. (The discovery of murals in St. Cyril's Church of Kiev-the XII century, executed in 1881 and 1882) 1883.
- Альбом Исторической выставки предметов искусства, устроенной в 1904 году в С.-Петербурге. (Historical Album of art exhibitions, set up in 1904 in St. Petersburg) 1907.
References
- 1 2 3 4 5 "Прахов, Адриан Викторович". Brockhaus and Efron Encyclopedic Dictionary: In 86 Volumes (82 Volumes and 4 Additional Volumes). St. Petersburg. 1890–1907.
- 1 2 3 Biographical notes by E.P. Potekhina @ Биографика СПбГУ/
External links
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Wikimedia Commons has media related to Adrian Prakhov. |
- A description of the work at St Volodymyr's Cathedral by Prakhov's son, Nikolai @ the Victor Vasnetsov website.