Daphne Zileri
| Daphne Zileri | |
|---|---|
 | |
| Born |
Daphne Dougall Hogg 19 April 1936 Buenos Aires, Argentina |
| Died |
21 October 2011 (aged 75) Lima, Peru |
| Nationality | Peruvian |
| Other names | Daphne Dougall, Daphne Dougall Zileri, Daphne Dougall Hogg de Zileri |
| Occupation | photographer |
| Years active | 1968-2011 |
| Known for | street photographs of children |
Daphne Zileri (1936-2011) was an Argentine-born Peruvian photographer. She is most known for her iconic images of children in typical street scenes throughout Lima. The first female photographer for Caretas Magazine, she published two collected volumes of works which examined solitude and intimacy. Posthumously, collections of her photography have toured in Colombia, the United States and Peru.
Early life
Daphne Dougall Hogg[1] was born on 19 April 1936 in the El Tigre neighborhood of Buenos Aires, Argentina to parents who had immigrated from Scotland at the turn of the twentieth century.[2] Her father, was Alfred McDougall, founder of the Argentine radio station Radio Excélsior.[3][notes 1] Her early years were spent in Argentina,[5] where she received a boarding school education. At twenty-two, she left Buenos Aires and moved to New York City, where she started work in an advertising agency. The agency's biggest client was located in Cuba and when the Cuban Revolution made doing business impossible, Dougall became a flight attendant.[6] In 1959, she met Enrique Zileri through friends who were also flight attendants, during a stop-over in Lima, Peru. After a brief courtship, they married within a year and then had five children: Drusila, Diana, Domenica, Sebastian and Marco. While she was raising her children, Dougall took photographs of her children and studied master photographers like Ansel Adams, Henri Cartier-Bresson, Robert Frank and Dorothea Lange to develop her skill.[7]
Career
Zileri began working as the first female photographer at Caretas, the political magazine owned by her husband's family.[8] In 1968, when the military government of Juan Velasco Alvarado took control of the country, Enrique was exiled to Spain and Zileri took what jobs she could find to support the family. She worked as a substitute teacher and a translator, taking bridal photographs on the side.[6] She also assisted in multiple functions to keep the magazine running during other upheavals, when they were forced to shut down or were exiled due to their pro-Democracy stance.[7] She strongly influenced the artistic vision of the magazine.[8]
In 1994, Zileri held an exhibit of her works at Centro Cultural General San Martín in Buenos Aires.[3] Though she tried many times to sell her works, she found no market for her photographs.[6] Instead, she published two books, Soliloquios (1996) and Dúos (2000),[8] as companion pieces—one exploring solitude and the other intimate relationships.[6] The images collected in Soliloquios were taken in Buenos Aires, SoHo, Manhattan and in Cairo, Egypt. Her photographs, often of children, depict a "unique sensitivity" to the human condition[2] and the majority reflected the color and reality of the streets of Lima. Near the end of her career, she concentrated on portraiture.[5] She preferred to use a Leika without zoom or flash, but in her later photography, she sometimes used a digital camera, but she felt the process was not as artistic.[6]
Zileri died on 21 October 2011 in Santiago de Surco, Lima, Peru from complications of asthma.[5] Posthumously, exhibits of her work were held in Colombia (2011),[6] at the Fernando de Szyszlo Art Gallery at the Peruvian Embassy in Washington, D.C. (2011),[7] the Art Gallery of New York City's Cervantes Institute (2011),[9] and in the Miraflores District, Lima (2012)[8]
Selected works
- Zileri, Daphne (1996). Soliloquios (in Spanish). Arequipa, Perú: Ausonía. OCLC 51642509.
- Zileri, Daphne (2000). Dúos (in Spanish). Arequipa, Perú: Ausonía. OCLC 905220237.
External links
References
Notes
Citations
Bibliography
- Bello, Nicolás (26 August 2014). "Enrique Zileri: "Daphne eligió el camino de la poesía, a través de la fotografía"" [Enrique Zileri, "Daphne chose the path of poetry, through photography"]. Revista Número Zero (in Spanish). Lima, Peru. Retrieved 7 May 2016.
- Dougall, A. B.; Dougall, Paul A. (2005). El último broadcaster: la saga de un anglo-criollo en la Argentina (1887-1977) [The last broadcaster: the saga of an Anglo-Creole in Argentina (1887-1977)] (in Spanish). Buenos Aires, Argentina: Literature of Latin America. ISBN 978-950-9725-75-1.
- Frkovich, Milenka (3 May 2012). "Daphne Zileri: The photographer who left an impact on her family, Caretas, and all of Peru". Lima, Peru: Living in Peru: Peru this Week. Retrieved 7 May 2016.
- Joseph, Marvin (27 November 2011). "At the Peruvian Embassy: 'Daphne: The Subtle Power of a Woman's Eye'". Washington, DC: Washington Post. Retrieved 7 May 2016.
- Montgomery, David (27 November 2011). "Quiet artistry, rooted in family" (PDF). Washington Post. Washington, D.C.: Caretas. Retrieved 7 May 2016.
- "EEUU: Inauguran muestra fotográfica de Daphne de Zileri" [USA Inaugurates photo exhibition of Daphne Zileri]. Peru.com (in Spanish). Lima, Peru. 21 December 2011. Archived from the original on 19 October 2015. Retrieved 7 May 2016.
- "Fallece Daphne Dougall, fotógrafa y compañera del ex director de Caretas, Enrique Zileri" [Daphne Dougall dies, photographer and companion to former director of Caretas, Enrique Zileri] (in Spanish). Lima, Peru: La mula. 21 October 2011. Retrieved 7 May 2016.
- "Fallece fotógrafa Daphne Dougall de Zileri" [Dies photographer Daphne Dougall de Zileri] (in Spanish). Lima, Peru: La República. 22 October 2011. Retrieved 7 May 2016.
- "Pérdidas Cuando Daphne Dougall Hogg nació en El Tigre, Buenos Aires, su padre reventó cohetes y bengalas" [Lost: When Daphne Dougall Hogg was born in El Tigre, Buenos Aires, her father burst rockets and sparklers] (in Spanish). Lima, Peru: Caretas. 3 November 2011. Archived from the original on 7 May 2016. Retrieved 7 May 2016.