Dogs (The Who song)
| "Dogs" | ||||
|---|---|---|---|---|
 German cover | ||||
| Single by The Who | ||||
| B-side | "Call Me Lightning" | |||
| Released | 14 June 1968 (UK) | |||
| Format | 7" 45 rpm | |||
| Recorded | Advision Studios | |||
| Length | 3:04 | |||
| Label | Track 604 023 | |||
| Writer(s) | Pete Townshend | |||
| Producer(s) | Kit Lambert | |||
| The Who singles chronology | ||||
| ||||
"Dogs" is a UK single released by The Who in June 1968.[1] It reached number 25 on the UK singles chart, lower than any single the band had released in several years.[2][3] The B-side of the UK single was "Call Me Lightning". Both songs were originally released mixed in mono only, as they were not intended for album release.
The lyrics of "Dogs" were inspired by Townshend's friend Chris Morphet who had a fascination with greyhound racing. Morphet contributes harmonica and backing vocals. It was recorded at London's Advision Studios in May 1968. Townshend booked this studio as it was the first in the UK to install professional reel-to-reel eight-track equipment. Prior to this The Who had only recorded in the U.K. at studios with a maximum of four tracks.
Uncut magazine describes the song as "mockney music-hall."[4] The lyrics describe a love story set at a dog race track and deal with such working-class activities as gambling, drinking beer and eating meat pies.[4][3] Uncut praised its whimsy, imaginative arrangement and "tumultuous rhythm."[4] Who biographer John Atkins praises its "soaring melodies, interesting chord changes and irresistible hook lines" and particularly praises "one really tremendous descending melody" at the 2:28 mark.[3] Atkins claims that it is "probably the most underrated song ever released by The Who" and goes so far as to state that it "can be seen as a masterpiece of 1960s pop."[3] On the contrary, author Mat Snow described the song as "amusing and zany but melodically unfocused."[2]
The song was not a major commercial success at the time of its release, perhaps because of its rather bizarre and campy style. Several commentators have suggested that the song was influenced by the music of the Small Faces, particularly their song "Lazy Sunday," which had been a recent hit.[4][3] Entwistle later said that it sounded much more like the Small Faces and suggested that it would have perhaps been better for both groups if they had recorded it instead. Roger Daltrey concurred, stating that the song was Pete Townshend's "tribute to Ronnie Lane" and that "it’d have been better if Pete had just given the song to Ronnie in the first place. As a Who record, it was all a bit frivolous for me.”[4] Pete said in the notes to the 1974 LP Odds & Sods that this was one of the songs recorded during a period when the group went "slightly mad." The song contains both singing and spoken sections and has vocal contributions from three members of the group, Roger, Pete and John. It includes the memorable closing phrase, "Nice dog, yes, lovely form, lovely buttocks", spoken by Pete.
A subsequent song "Dogs (Part Two)" was later released as the B-side of "Pinball Wizard" in 1969.[4] Despite the titles the two songs are musically unrelated.[4] "Dogs (Part Two)" is an instrumental credited to Keith Moon. Both "Dogs" songs were included on the 1987 U.S. collection Two's Missing. That album is out of print, but "Dogs" is available in a 1990s era stereo remix on the box set 30 Years of Maximum R&B; a stereo mix of "Dogs (Part Two)" was included on the bonus disc of the Tommy deluxe edition in 2003. It was once again released in mono as it was included in the two-disc edition of The Who Hits 50!.
References
- ↑
- 1 2 Snow, M. (2015). The Who: Fifty Years of My Generation. Race Point Publishing. p. 82. ISBN 9781631061615.
- 1 2 3 4 5 Atkins, John (2000). The Who on Record: A Critical History, 1963-1998. MacFarland. pp. 106–108. ISBN 9781476606576.
- 1 2 3 4 5 6 7 "The Who's 20 best songs, chosen by Roger Daltrey". Uncut. February 24, 2015. Retrieved 2016-06-23.