Frederik Fuglsang
Frederik Fuglsang | |
---|---|
Born |
12 December 1887 Denmark |
Died | 2 April 1953 |
Occupation | Cinematographer |
Years active | 1915-1938 |
Frederik Fuglsang (1887–1953) was a Danish cinematographer who worked largely in the German film industry. Fuglsang was employed by Nordisk Film, who initially brought him to Germany. He worked frequently during the Weimar era on films such as Vanina (1922) and Frederic Zelnik's The Weavers. (1927).[1] He was married to the actress Käte Fuglsang.
Selected filmography
- En slem Dreng (1915)
- Man Without a Name (1921)
- Lucrezia Borgia (1922)
- Vanina (1922)
- Nora (1923)
- The Evangelist (1924)
- Women You Rarely Greet (1925)
- The Blue Danube (1926)
- The Mill at Sanssouci (1926)
- Fadette (1926)
- The Bohemian Dancer (1926)
- The Weavers (1927)
- The Gypsy Baron (1927)
- Dancing Vienna (1927)
- The Saint and Her Fool (1928)
- Der Ladenprinz (1928)
- Der Herzensphotograph (1928)
- Inherited Passions (1929)
- My Heart is a Jazz Band (1929)
- Peter the Mariner (1929)
- The Crimson Circle (1929)
- My Sister and I (1929)
- Der Hund von Baskerville (1929)
- Gloria (1931)
- The Fate of Renate Langen (1931)
- Night Convoy (1932)
References
- ↑ Eisner p.354
Bibliography
- Eisner, Lotte H. The Haunted Screen: Expressionism in the German Cinema and the Influence of Max Reinhardt. University of California Press, 1969.
External links
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