Gershon Iskowitz

Gershon Iskowitz (November 21, 1921 – January 26, 1988) was a Canadian artist of Jewish background originally from Poland. Iskowitz was a Holocaust survivor of the Kielce Ghetto, who was liberated at Buchenwald. He began his artistic career as an expressionist painter who dealt with figurative subjects. He later painted in the abstract expressionist style professedly inspired by the Canadian landscape.

Early life

Iskowitz was born in Kielce, in the Second Polish Republic.^[1] At the age of four he was sent to the Chachmei Lublin Yeshiva. He became bored and began drawing. After a year and a half he begged his father, Shmiel Yankl, to be allowed to return home and was given permission to do so. He was tutored in Polish and placed in a public school. After two and a half years his father set up a small studio area for him in their home and allowed him to spend his time drawing and painting. At the age of nine he exchanged original art posters for free admission to a local cinema.^[2]

World War II

He registered at the Academy of Fine Arts in Warsaw in 1939. But war broke out before he began classes so he had to return to Kielce and was put to forced labour. In September 1943 the Kielce Ghetto was burned. Gershon and his brother, Yosl, were sent to Auschwitz.^[3]

Gershon painted or drew at night only after every one else was asleep. He said "Why did I do it? I think it kept me alive. There was nothing to do. I had to do something in order to forget the hunger. It's very hard to explain, but in the camp painting was a necessity for survival."^[4] He was transferred to Buchenwald in the fall of 1944. Near the end of the war he tried to escape but was seriously wounded. After the April 11 liberation of Buchenwald he was sent to recuperate in hospitals for about nine months.

From January to May 1947 he attended the Academy of Fine Arts Munich and had private study with Oskar Kokoschka who painted in intense expressionistic style.

Life in Canada

Gershon's first application to move to Canada was rejected because he had a limp. "Always when my life was in danger," Iskowitz found "I did a drawing and pulled through." He reapplied and drew a picture for the bureaucrat in immigration. The fellow declared Gershon a genius, predicted a great future for him in Canada, approved his emigration application and said that Gershon would have special privileges on the voyage to his new home.^[5] Thus in 1949 he emigrated to Canada to stay with some relatives living in Toronto.

In 1952 he attended Artist's Workshop, Toronto (until 1959–60)and began sketching trips to Markham and Uxbridge. He stopped painting scenes from his past in the mid 50's and turned to the Canadian landscape for his models. A major change in his painting style occurred in 1967 when a Canada Council grant permitted him to view the northern landscape from a helicopter. His painting became explosions of colour and light.^[6]

In 1954 he had his first exhibition with the Canadian Society of Graphic Artists. He also did some part-time teaching at McKellar Lake. He moved to his own studio on Spadina Avenue, Toronto. In 1964 he became associated with Gallery Moos, where he had many one-man exhibitions.

Gershon said "there was that period after '65 for a while when people would say, 'Do you still paint?' and I'd say, 'Yes, yes, I still paint.' And they'd say painting is dead, you know. Or if they didn't say that they'd say, 'Why don't you use acrylics?' Well, I tried them, but I stayed with oils, and the watercolours I'd been doing since I was a kid. It doesn't matter what you use, it matters how you use it."^[7]

In 1982 Gershon was honoured by the AGO with a forty-year retrospective of his work.^[8] A subset of the exhibition was put on display in London, England. Gershon said [painting] "... is just an extension of myself. It's a plastic interpretation of the way I think. You reflect your own vision. That's what it's all about. Art is like evolution and life, and you've got to search for life, stand on your own feet and continue. The only fear I have is before starting to paint. When I paint, I'm great, I feel great."^[9]

In gratitude for the value that artistic grants had given to his career he established the Gershon Iskowitz Foundation in 1985. Its mandate was to award the annual Gershon Iskowitz Prize, in association with the Canada Council in 1986 and 1987, of $25,000 to mature artists. The Foundation awarded the prize on its own from 1988 to 2006. It then partnered with the AGO in 2007 to award this prize as the winner would then receive an exhibition at the AGO.^[10]

He was made a member of the Royal Canadian Academy of Arts.^[11] On January 26, 1988 Gershon Iskowitz died in Toronto, Ontario.

Works in public collections in Canada

Over the years, many public art galleries have acquired, through purchase and donation, works by Gershon Iskowitz. In addition, in 1995 in celebration of the Prize’s 10th Anniversary the Foundation donated over one hundred and forty paintings and works on paper to many of these same institutions. The works have been included in major exhibitions and many are exhibited as part of the Permanent Collections of these institutions.^[10]

One-man exhibitions

The following table summarizes Iskowitz's one-man exhibitions:^[2]

Group exhibitions

Winners of the Gershon Iskowitz Prize

In 2007, the Gershon Iskowitz Foundation in partnership with the Art Gallery of Ontario (AGO) established the annual Gershon Iskowitz Prize presented by AGO in order to raise awareness of the visual arts in Canada.

References

Bibliography

• Burnett, David (1982). Iskowitz (Art Gallery of Ontario). ISBN 091987682X. 
• Burnett, David (1989). Ciniplex Odeon The First Ten Years: A Celebration of Contemporary Canadian Art. ISBN 0969383509. 
• Burnett, David (1990). Masterpieces of Canadian Art: From the National Gallery of Canada. Dr. Shirley L. Thomson (Foreword). ISBN 0888303440. 
• Davenport, Ray (2005). Davenport's Art Reference: The Gold Edition. 
• Dunbier, Lonnie Pierson, ed. (2005). The Artists Bluebook: 34,000 North American Artists to March 2005. AskART.com. 
• Fenton, Terry; Wilken, Karen (1978). Modern Painting in Canada: Major Movements in Twentieth Century Canadian Art. 
• Freedman, Adele (1982). Gershon Iskowitz: Painter of Light. 
• Kilbourn, Elizabeth; Newfeld, Frank (1966). Great Canadian Painting: A Century of Art. 
• Lerner, Loren R.; Williamson, Mary (1991). Art and Architecture in Canada: A Bibliography and Guide to the Literature to 1981. 
• MacDonald, Colin, S. (1974). A Dictionary of Canadian Artists. 8.  CS1 maint: Multiple names: authors list (link)
• McMann, Evelyn de R. (1988). Montreal Museum of Fine Arts: Spring Exhibitions 1880–1970. 
• Reid, Dennis (1988). A Concise History of Canadian Painting (2nd ed.). 
• Townsend, William (1970). Canadian Art Today. 
• Westbridge, Anthony R.; Bodnar, Diana L. (2001). The Collector's Dictionary of Canadian Artists at Auction. 
• Who's Who in American Art, 1976 (12 ed.). Jaques Cattell Press. 1976. 
• Who's Who in American Art, 1986. Jaques Cattell Press. 1986. 

External links

• National Gallery of Canada, Ottawa
• Miriam Shiell Fine Art, Toronto