Kotpad Handloom fabrics

Kotpad Handloom is a vegetable-dyed fabric woven by the tribal weavers of the Mirgan community of Kotpad village in Koraput district, Odisha, India. Cotton sarees with solid border and Pata Anchal, duppatta with typical Buties / motifs, Scolrfs on cotton, silk, handloom stoles, and dress materials are all dyed with organic dyes. The natural dye is manufactured from the aul tree grown in this area.^[1] The Kotpad tussar silk saree with tribal art and Kotpad handloom fabrics with natural color is its specialty.

Kotpad handloom fabric is the first item from Odisha that received the Geographical Indication of India tag,^[2] in 2005.^[3] The Mirgan community of Kotpad is famous for their exquisite organic dyed textile. They usually weave this textile for "Bhotada", "Dharua" and other motifs of their neighboring tribal communities.

Raw materials

Cotton yarn, Tussar silk and Aul tree roots are the main materials used for textile work. Using organic dye is the most important aspect of these textile products. It takes approximately 15 to 30 days for processing the color and dyeing threads into different colors. The main colors extracted are black and maroon. Sarees and shawls are the most important and attractive textile products from the Kotpad weaving community. The textiles are very comfortable to wear during summer and winter.^[4]

Natural dye colour

The characteristics of natural dye colouring are derived from the aul tree or madder dye (Morinda citrifolia) extracted from the root of the Indian madder tree. Since it is prepared out of natural resources which are non-toxic, the dye is not harmful to the skin. Even though it is only a limited colour range, it is eco-friendly and shades developed are very suiting and pleasant. The colours ranging from deep maroon to dark brown depend on the age of the root bark and the proportion of the dye used and is obtained with the addition of harikari or iron sulphate. These colours mixed with the natural unbleached off-white color of the cotton yarn produce dramatic results. The motifs used on the fabric are conch, boat, axes, crab, bow, temple, fish, and fan, which reflect the culture of the area. These motifs are developed by the extra wefts. By use of multi-shuttle by interlocking method, a solid border effect of the fabric is brought up by the pig by pig insertion of thread.

References

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