Lekan Balogun

Lekan Balogun

Lekan Balogun, 2012 (photo by Aderemi Adegbite)
Born Olalekan Ishaq Balogun
(1973-03-03) 3 March 1973
Iwaya, Lagos State, Nigeria
Nationality Nigerian
Period 1993-present
Notable works Moremi Ajaasoro, Alaafin Kanran, Our Tomorrow Today, The Rejected Stone, Oya, Shaka, Olofin Ajaye: the Story of Lagos
Notable awards

Moremi Ajaasoro—winner, NANTAP/FESTINA, 2002 Drama Award for Best New Play Atundaolu---winner, Bode Osanyin 2006 Drama Award Beyond the Sunset - selected by the jury for Jos Repertory Theatre, UNIJOS 2006, Festival of Theatre

Oya - selected by the jury for Jos Repertory Theatre, UNIJOS 2006, Festival of Theatre, University of Jos. Oya - 2006 University of Lagos Convocation play, University of Lagos, Akoka.

Lekan Balogun is a Nigerian dramatist and theatre director, along with his contemporary, Wole Oguntokun. His plays include Moremi Ajaasoro, performed as the Western zone’s entry for the Festival of Nigerian Plays (FESTINA 2003); Olofin Ajaye and The Mote in the Eye, NANTAP International Theatre Day, 2008 and 2009/20th Anniversary Play projects; The Rejected Stone, an African retelling of the popular fable Cinderella, Alaafin Kanran, Farewell and Dirty Circle for Royal Court Theatre, London, excerpt performed at the Sloane Square, Jerwood Theatre, London, in 2009 with sponsorship from the British Council, Nigeria & GENESIS Foundation, UK; The Ghost Catcher; Goodbye Yesterday; Our Tomorrow Today; Ijebu 1832; For Heroes and Scoundrels, among others. He wrote and directed a play about Zulu folklore (Izibongo) and history in 2008 with the title Shaka, the Zulu legend.

Early life

Lekan Balogun[1] studied English and Social Studies, gaining a Nigerian Certificate in Education (NCE) at the Federal College of Education, Osiele, Abeokuta. He holds a Bachelor of Arts and master's degree (with Distinction) in Theatre Arts from the Department of Creative Arts, University of Lagos, Akoka, Nigeria.

Career

Shortly after graduation from the Federal College of Education, Osiele, Abeokuta, in 1996, Lekan Balogun joined the Centre for Cultural Studies, University of Lagos, Akoka, as an Associate member as well as a member of Akuro Theatre, owned and managed by late Professor Bode Osanyin, playwright and theatre director, under whose tutelage he received professional training as an actor and playwright.[2] With the Centre and Akuro, he was part of productions such as Orisa, Left in the Cold (adaptation of Bertolt Brecht’s The Good Person of Szechwan) Two Jolly Men, Ogedengbe, etc. He was in the Coca Cola-sponsored UNILAG/NUGA GAMES 1998 production of Ben Tomoloju’s Jankariwo; MEDIAKNIGHTS/TOTAL Theatre Not, My Fault, 1998; was a member of cast, The Gods Are Not To Blame (MUSON Festival, 2006). He was a member of University of Lagos, Akoka contingent, which went on performance tour of Ghana on the invitation of the Nigeria High Commission in Ghana, to mark Nigeria’s 48th Independence, 2008. He has worked variously as a researcher, writer-in-residence and cultural officer for Songobiyi African Creation, established by Princess Adetokunbo Abimbola, wife of Professor Wande Abimbola; as freelance researcher, writer and performer with the Centre for Black and African Art and Civilization(CBAAC); writer and director for the National Association of Nigerian Theatre Arts’ Practitioners (NANTAP), Association of Nigerian Authors(ANA) among others. He has done extensive research on African myth and legend, Mask, philosophy, religion, metaphysics and has particularly expressed his bias for Yoruba folklore, myth, legend, and history, which have all been reflected in his works. He is the Artistic Director, Legendaire Theatre, a professional theatre company based in Lagos, Nigeria.

Directing/Production credits

Lekan has successfully directed the Theatre workshop class of the Department of English University of Lagos for three years, including the last; Look Back in Gratitude (adaptation of John Osborne’s Look Back in Anger) written by Bosede Ademilua-Afolayan.[3] His professional directorial works include Wole Soyinka’s Camwood on the Leaves for the inaugural Theatre @Terra, 2007; Olive Branch, produced in conjunction with Kowry Kreations Media (now Image and Heritage); Emmanuel Eni’s Death of a Curator; his outfit’s production of Love and Colours in Delphi, one of his experimental plays (in association with Theatre Centrik, owned and managed by his long-time friend and associate, Tony Biyi Boyede) and Oya,[4] with support from the National Troupe of Nigeria; Olofin Ajaye, written and directed as NANTAP 2008 International Theatre Day production and The Mote in the Eye, performed as NANTAP 20th Anniversary play, featuring Ambassador Segun Olusola and veteran actors such as Dejumo Lewis, the Oloja of Oja of the Village Headmaster fame, Mufu Onifade, originator of ARAISM, Sola Awojobi-Onayiga, Tunde Alabi and directed by the talented Makinde Adeniran, Femi Osofisan’s Women of Owu, etc. Balogun has had a very long professional relationship with the actor and theatre director, William Ekpo, Tunji Sotimirin and few others.

Experimental works

Lekan Balogun has begun a new style of writing he calls "The Theory of Contradiction", which was inspired by the Absurd Theatre,[5] but drawing from African history, myth and legend. In performance, ritual music and silence are technical components of realization. Plays written to develop the theory include Love and Colours in Delphi,[6] Soyinka in the Eye of Shakespeare[7] read as the National Troupe of Nigeria, 26th in the Series of Play Reading, Harlem Remembered, performed at the Duro Oni @ 60 celebrations, featuring highly talented actor Art-Osagie Okedigun, Wale Lampejo and Qamar Adekunjo; A Walk with Gandhi and Epitaph for Gaddafi. He also collaborated and wrote dialogue for an international production of The Power Play, by the German-based theatre company, FLINN THEATER, which opened to public viewing in September 2012 at Kulturhaus Dock 4, Germany.

Lekan Balogun is also an essayist, cultural ambassador and columnist for a number of journals. He has been invited as speaker, panel discussant and facilitator in several workshops on art, literature and theatre. He has essays on EDAOTO, among others, and been invited as speaker in several national and international seminars and workshops including Write Associates’ The Africa Century International Writers Conference programme, 2012 at the University of the Free State, South Africa and the African Studies Institute International Conference on Africa and its Diaspora with the theme Africa and its Diaspora: Expressions of Indigenous and Local Knowledge, University of Georgia, Athens, USA, 2012.

Published works

Awards/Selections

Some of Lekan’s plays have received critical acclaim, among them the following:

References

  1. ↑ Tony, Okuyeme (1 Dec 2012). "Women are great source of inspiration". Nigerian Compass. Retrieved 1 Dec 2012.
  2. ↑ Connect, CP. "Lekan Balogun". ConnectCP. Retrieved 2011-11-14.
  3. ↑ Gbenga, Adeniji (24 August 2012). "Time to Look Back in Gratitude". The PUNCH. Retrieved 24 August 2012.
  4. 1 2 Lekan, Balogun (2008). Oya: goddess of whirlwind. Lagos: Lantern Books. p. 84. ISBN 9789781429170.
  5. ↑ Tony, Okuyeme (7 July 2012). "Absurd Theatre, most appropriate style of writing –Balogun". Nigerian Compass. Retrieved 7 July 2012.
  6. ↑ Tony, Okuyeme (23 April 2012). "In Lagos, Balogun's Love and Colours in Delphi makes a sizzling premiere". Nigerian Compass. Retrieved 23 April 2012.
  7. ↑ NWAGBO, NNENYELIKE. "Soyinka, Shakespeare on trial". The Theory of Contradiction. Nigerian Best Forum. Retrieved 10 January 2010.
  8. ↑ Lekan, Balogun (2005). Alaafin Kanran: (tyranny of a King). Lagos, Nigeria: Lantern Books. p. 80. ISBN 9781423196.
Wikimedia Commons has media related to Lekan Balogun.
This article is issued from Wikipedia - version of the 9/24/2016. The text is available under the Creative Commons Attribution/Share Alike but additional terms may apply for the media files.