Lilias Torrance Newton

Lilias Torrance Newton (November 3, 1896 – January 10, 1980) was a Canadian painter.[1][2][3][4]

Biography

Lilias Torrance Newton was born in Lachine, Quebec, a suburb of Montreal, in 1896.[1][2][4] Her parents, Alice Mary Stewart and Forbes Torrance, were prominent Montreal figures; an old sketchbook of her father's is thought to be an early artistic inspiration.[5] She attended classes given by William Brymner at the Art Association of Montreal,[1][3] and later studied with Alfred Wolmark in London and Alexandre Jacovleff in Paris.[1][2][4] During the First World War, she worked for the Red Cross in England.[3] During the year of 1922 she won the Honorable Mention at the Paris Salon while studying with Alfred Wolmark.[6] Married in 1921, she had one child[1] and was divorced in 1933.[3][7]

Newton was elected an Associate of the Royal Canadian Academy in 1923 and Academician in 1939 and 1973.[1][3][4] She was also a founding member of the Beaver Hall Group and the Canadian Group of Painters.[1][2][4] She taught at her alma mater, the Art Association of Montreal, and received an honorary LL.D. from the University of Toronto.[1] Newton is best known for her portraits, over 300 in her career, including her 1957 portraits of Queen Elizabeth II and Prince Philip. Newton was the first known Canadian commissioned to make a portrait of either subject.[1] Her portraits were known to be psychological in nature.[6]

Lilias Torrance Newton died in Cowansville, Quebec in 1980.[2] Her work is in the collections of the National Gallery of Canada, the Art Gallery of Alberta, the Glenbow Museum, the Art Gallery of Ontario, Hart House at the University of Toronto, the Montreal Museum of Fine Arts, the Musée national des beaux-arts du Québec, the Canadian War Museum, and other public institutions in Canada.[4]

References

  1. 1 2 3 4 5 Mayberry Fine Art biography
  2. 1 2 3 4 5 Library and Archives Canada biography
  3. 1 2 3 4 5 6 Canadian Women Artists History Initiative biography
  4. ↑ Walters, Evelyn (2005). The women of Beaver Hall : Canadian modernist painters. Toronto: Dundurn Press. p. 81. ISBN 978-1-282-81085-3.
  5. 1 2 Millar, Joyce (1992). "The Beaver Hall Group: Painting in Montreal, 1920-1940". Woman's Art Journal. 13 (1): 3–9. doi:10.2307/1358252.
  6. ↑ Aylen, Marielle; Aylen-Gillies, Marielle (1999-01-01). Interfaces of the portrait: liminality and dialogism in Canadian womenś portraiture between the wars. Ann Arbor, Mich.: UMI.


This article is issued from Wikipedia - version of the 6/13/2016. The text is available under the Creative Commons Attribution/Share Alike but additional terms may apply for the media files.