Louis-Pierre Deseine

Entry to Vienna, bas-relief at the Arc de Triomphe du Carrousel, Paris
Louis Joseph, Prince of Condé, bust, 1814, Château de Chantilly
Bust of Pie VII, Musée Carnavalet.

Louis-Pierre Deseine (1749–1822) was a French sculptor, who was born and died in Paris. He is known above all for his portrait busts and imaginary portraits. At the Salon of 1789, he showed a portrait head of Belisarius.[1]

Deseine trained in several ateliers, notably with Augustin Pajou, whose portrait bust he exhibited at the Salon of 1785.[2] He won a first prize from the Académie, which sent him to study further in Rome (1781–84).

In 1814 he published a history of the Académie royale de peinture et de sculpture, of which he had been a member.[3] He described himself in 1814 as a member of the academies of Copenhagen and of Bordeaux, and as holding the post of first sculptor to the prince de Condé, for whom he had executed statues in the 1780s for the dining room at Chantilly,[4] where some drawings and maquettes are preserved.

His elder brother, the little-known sculptor Claude-André Deseine (1740–1823) was a deaf-mute, whose Republican sensibilities and the exaggerated character of his portrait studies has encouraged Michael Levey see him as a contrast to his brother.

Works

Not dated

Drawings

Drawings by Deseine are at the musée du Louvre ("Étude d'un homme debout avec une draperie sur l'épaule") and the musée Condé, Chantilly ("Le Déluge", "Deux Romains saluant un empereur assis" and "Lars Porsenna"); the musée Condé also conserves two projects for the monument to the duc d'Enghien.

References

  1. Noted by Klaus Weschenfelder, "Belisar und sein Begleiter. Die Karriere eines Blinden in der Kunst vom 17. bis zum 19. Jahrhundert", Marburger Jahrbuch für Kunstwissenschaft 30 (2003:245-268) p. 263, no. 65 in Weschenfelder's list of representations of Belisarius.
  2. Michael Levey, Painting and Sculpture in France, 1700-1789 (Yale University Press) 1993:250-51.
  3. Deseine, Statuaire, Notices historiques sur les académies royales de peinture, sculpture de Paris, et celle d'architecture (Paris: Le Normant, 1814).
  4. Michael Levey.

Sources

External links

This article is issued from Wikipedia - version of the 10/10/2016. The text is available under the Creative Commons Attribution/Share Alike but additional terms may apply for the media files.