My Love Came Back

My Love Came Back

Theatrical release poster
Directed by Curtis Bernhardt
Produced by Hal B. Wallis
Screenplay by
Based on Episode
1935 film
by Walter Reisch
Starring
Music by Heinz Eric Roemheld
Cinematography Charles Rosher
Edited by Rudi Fehr
Production
company
Distributed by Warner Bros. Pictures
Release dates
  • July 13, 1940 (1940-07-13) (USA)
Running time
 85 minutes
Country United States
Language English

My Love Came Back is a 1940 American comedy-drama film directed by Curtis Bernhardt and starring Olivia de Havilland, Jeffrey Lynn, Eddie Albert, and Jane Wyman.[1] Based on the 1935 Austrian film Episode written and directed by Walter Reisch, the film is about a gifted young violinist who considers leaving a prestigious music academy to play in a jazz band to earn money. The academy's new president—a distinguished wealthy patron of the arts—convinces her to stay after secretly arranging a scholarship for her out of his own pocket, and the two begin attending concerts together. Complications arise when he asks his young business manager to take his place at one of the concerts. The film is notable for Heinz Eric Roemheld's musical direction and Ray Heindorf's unique swing orchestral arrangements of classical pieces. My Love Came Back was released by Warner Bros. Pictures in the United States on July 13, 1940.[2]

Plot

A beautiful young violinist named Amelia Cornell (Olivia de Havilland) is a student at the prestigious Brissac Academy of Music in New York City. Unable to support her mother on her meager scholarship stipend, she is forced to provide music lessons in her spare time—something strictly forbidden by the school and enforced zealously by the dean of the school, Dr. Kobbe (Grant Mitchell). Frustrated by her financial constraints and at being treated like a child by the dean, Amelia decides to leave the academy and join a jazz group led by her fellow student and swing bandleader Dusty Rhodes (Eddie Albert).

Meanwhile, after seeing Amelia perform at a concert, a distinguished wealthy patron of the arts, Julius Malette (Charles Winninger), finally accepts the academy's offer to make him president of the school—an offer inspired by Julius' wealth and influence. When he learns that Amelia is planning to leave the academy for financial reasons, Julius—who has a crush on the much younger violinist—secretly arranges for a second scholarship that will allow her to continue her studies. After Amelia meets her patron, the kind and gentlemanly president sends her a phonograph player and records, and escorts her to concerts to broaden her musical experience.

One evening, Julius is unable to attend a concert with Amelia and sends his young business manager, Tony Baldwin (Jeffrey Lynn), to the concert hall to explain his absence. In the coming days, Tony and Amelia begin to fall in love, but Tony does not reveal his feelings, believing that Amelia is his boss's mistress.

The budding relationship between Tony and Amelia is further complicated when Julius' brash son Paul (William T. Orr) discovers that Tony has been mailing company checks to Amelia, unaware that these "scholarship" checks were mailed at his father's request. When Paul accuses Tony of misappropriating company funds, Tony protects his boss with his silence. Later, Paul sees his Julius entering Amelia's apartment, he believes that his father is being unfaithful to his mother. He apologizes to Tony and thanks him for trying to shield his family from the sordid news. When Paul tells Tony that Julius is with Amelia, Tony decides not to see Amelia again, nor answer her calls. His distrust is reinforced when he learns that the checks sent to Amelia have been cashed—he doesn't know that her friend Dusty "borrowed" the money.

Soon after, Julius and his wife organize a party and hire Amelia's roommate, Joy O'Keefe (Jane Wyman), and her boyfriend, Dusty Rhodes, to provide an evening of innovative classical and swing music. At the party, Amelia confesses everything to Mrs. Malette, and then plays swing violin with the band, shocking Julius and her teacher. The music critic at the party, however, is impressed, which gives her new style legitimacy. When Amelia learns that Dusty "borrowed" her check, and how that must have looked to Tony, she demands that Dusty explain to Tony what had been going on. Afterwards, Tony approaches Amelia in the garden, apologizes for his suspicions, and kisses her passionately.

Cast

Production

Screenplay

My Love Came Back is based on the Austrian film Episode, which was directed by Walter Reisch and starred Paula Wessely and Karl Ludwig Diehl. Episode was in fact a sequel to another Austrian film, Maskerade—which was remade by MGM in 1935 under the title Escapade. The working titles for My Love Came Back were Episode, Men on Her Mind, and Two Loves Have I.[2]

Soundtrack

Critical response

In his review for The New York Times, Bosley Crowther gave the film a positive review, calling it "a featherlight frolic, a rollicking roundelay of deliciously pointed nonsense".[3] Crowther praised Kurt Bernhardt for his directing the film "in a spirit of pure delight",[3] and Ivan Goff, Robert Buckner, and Earl Baldwin for their effervescent writing.[3] Crowther also praised the cast for their "gayly scampering performance",[3] noting:

As the compromised young heroine of the show, Miss De Havilland plays the part with pace and wit. Mr. Lynn is briskly present, Eddie Albert is practically perfect as the young zany of swing who intermittently thinks of suicide. The rest of the cast is in excellent order. But as the elderly gentleman who feels his youth coming back Mr. Winninger almost steals the show. He's an innocent at heart, even in a naughty escapade.[3]

Crowther concluded that the film was as "refreshing as a gin fizz on a hot day".[3]

In the New Masses review, published on July 30, 1940, the reviewer wrote that the film takes the "comedy of mistaken intensions" genre and returns some of the "freshness and spontaneity" of the original idea.[4] The review continues:

Under Kurt Bernhardt's direction the fable gets off to a slow start, gradually picks up momentum and humorous incident as it moves along. Most of the credit for the humor should go to Charles Winninger's effective handling of the old man Malette. He's a genuine comic ... neither overplays nor overmugs.[4]

References

  1. ↑ "My Love Came Back (1940)". The New York Times. Retrieved February 22, 2013.
  2. 1 2 "My Love Came Back". Turner Classic Movies. Retrieved February 22, 2013.
  3. 1 2 3 4 5 6 Crowther, Bosley (July 13, 1940). "'My Love Came Back' at Strand". The New York Times. Retrieved January 5, 2015.
  4. 1 2 Bessie, Alvah (July 30, 1940). "My Love Came Back". New Masses: 23. Retrieved February 23, 2013.
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