Norwich School (glassmakers)

15th century Norwich glass fragment in St Nicholas, Blakeney

The Norwich School of glassmakers was a mediaeval Norwich-based community of stained glass makers, mostly active between the mid-14th century and the English Reformation, when much of the glass was destroyed as part of the general injunction against stained glass, shrines, roods, statues and bells.^[1] St Peter Mancroft retains an internationally important window of this era, elsewhere there are mainly fragments.^[2]

The black lines of the paintings were drawn with iron oxide from pin factories mixed with wine or urine, and the yellow tones were derived from silver nitrate. There were also characteristic stylistic elements from this group, including the distinctive 'Norwich' ears, eyes and hair, which differentiate Norwich from other glass-making areas such as York.^[2]

The school's generally light and uncomplicated style has stylised methods of depicting floors and countryside, including motifs resembling ears of barley, seaweed, chequers or pebbles. In common with other church craftsmen, the glass painters used a characteristic border design which resembled a holly leaf wrapped around a rod.^[3]

Notes

↑ Haigh, Christopher (1987). The English Reformation revised. Cambridge: Cambridge University Press. pp. 119–121. ISBN 0-521-33631-7.
1 2 "Stained Glass". Retrieved 13 October 2011
↑ "Fifteenth Century Glass Makers". Norfolk stained glass. Retrieved 13 October 2011

General references

"Medieval imaginations: literature and visual culture in the middle ages". Cambridge University. Retrieved 13 October 2011>
Woodforde, Christopher (1950). The Norwich school of glass-painting in the fifteenth century. Oxford: Oxford U.P.

British and Irish stained glass

British and Irish stained glass (1811–1918)

History

Influences

Artistic movements	Aesthetic Movement Art Nouveau Arts and Crafts Movement Biblia pauperum Cambridge Camden Society Classicism Early Renaissance Exoticism Gothic Revival Oxford Movement Romanticism

Organisations	The Glass House Hogarth Club Pre-Raphaelite Brotherhood

People

Architectural	John Loughborough Pearson Augustus Pugin George Gilbert Scott Alexander Thomson

Artists	Edward Liddall Armitage Hugh Arnold Alfred E. Child Margaret Chilton Harry Clarke Walter Francis Clokey Charles Edmund Clutterbuck Trena Cox Louis Davis works Rachel de Montmorency Alfred Drury Mabel Esplin Moira Forsyth Wilhelmina Geddes Jane Gray Reginald Hallward works Herbert Hendrie James Humphries Hogan Evie Hone Joan Howson works Marjorie Kemp Charles Eamer Kempe Mary Lowndes William Morris Catherine Amelia O’Brien Karl Parsons works Henry Payne works Lilian Josephine Pocock Patrick Pollen Sarah Purser Ethel Rhind Arnold Wathen Robinson works Arild Rosenkrantz Francis Skeat works Caroline Townshend works Christopher Webb Christopher Whall works Veronica Whall works Thomas Willement William Wilson Paul Woodroffe works Edward Woore works British stained-glass artists Irish stained-glass artists

Critics	John Ruskin

Manufacturers	An Túr Gloine Burlison and Grylls Harry Clarke Clayton and Bell Walter Francis Clokey Daniel Cottier John Hardman & Co. Heaton, Butler and Bayne Hincks and Burnell Lavers, Barraud and Westlake Morris & Co. James Powell and Sons Shrigley and Hunt William Wailes William Warrington

Examples

Images

Terminology

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