Plush

Plush (from French peluche) is a textile having a cut nap or pile the same as fustian or velvet. Its softness of feel gave rise to the adjective "plush" to describe something soft or luxurious, which was extended to describe luxury accommodation, or something rich and full.^[1]

Originally the pile of plush consisted of mohair or worsted yarn, but now silk by itself or with a cotton backing is used for plush, the distinction from velvet being found in the longer and less dense pile of plush. The soft material is largely used for upholstery and furniture purposes, and is also much employed in dress and millinery.

Modern plush are commonly manufactured from synthetic fibres such as polyester. One of the largest uses of this fabric is in the production of stuffed toys, with small plush toys made from plush fabric, such as teddy bears, to the point these are often addressed as "plush toys" or "plushes". Plush is also one of the main materials for the construction of designer toys.

References

•  This article incorporates text from a publication now in the public domain: Chisholm, Hugh, ed. (1911). "Plush". Encyclopædia Britannica (11th ed.). Cambridge University Press. 
• The dictionary definition of plush at Wiktionary
• Media related to Plush toys at Wikimedia Commons

Fabric
Woven	Aertex Airdura Airguard Barathea Barkcloth Batiste Bedford cord Bengaline silk Beta cloth Bombazine Brilliantine Broadcloth Buckram Bunting Burlap C change Calico Cambric Canvas Chambray Capilene Cedar bark Challis Char cloth Charmeuse Charvet Cheesecloth Chiffon Chino Chintz Cloqué Cloth of gold Cordura Corduroy Duck Coutil Crape Crêpe Cretonne Dazzle Denim Dimity Donegal tweed Dornix Dowlas Drill Drugget Eolienne Flannel Foulard Fustian Gabardine Gauze Gazar Georgette Ghalamkar Gingham Grenadine Grenfell Cloth Grosgrain Habutai Haircloth Harris Tweed Herringbone Himroo Hodden Irish linen Jamdani Kerseymere Khādī Khaki drill Kente cloth Lamé Lawn Linsey-woolsey Loden Longcloth Mackinaw Madapolam Madras Moleskin Muslin Nainsook Nankeen Ninon Oilskin Organdy Organza Osnaburg Ottoman Oxford Paduasoy Percale Pongee Poplin Rakematiz Rayadillo Rep Rinzu Ripstop Russell cord Saga Nishiki Samite Sateen Satin Saye Scarlet Seersucker Sendal Serge Scrim Shot silk Stuff Taffeta Tais Toile Tucuyo Tweed Twill Ultrasuede Vegetable flannel Ventile Vinyl coated polyester Viyella Voile Wadmal Wigan Whipcord Zephyr Zorbeez
Figured woven	Brocade Camlet Damask Lampas Songket
Pile woven	Baize Chenille Corduroy Crimplene Fustian Mockado Moquette Plush Polar fleece Terrycloth Velours du Kasaï Velvet Velveteen Zibeline
Nonwoven	Felt Cedar bark
Knitted	Boiled wool Coolmax Machine knitting Milliskin Jersey Velour
Netted	Bobbinet Carbon fiber Lace Mesh Needlerun Net Ninon Tulle
Technical	Ballistic nylon Ban-Lon Conductive Darlexx E-textiles Gannex Gore-Tex Silnylon Spandex Stub-tex SympaTex Windstopper
Patterns	Argyle Bizarre silk Chiné Herringbone Houndstooth Paisley Pin stripes Polka dot Shweshwe Tartan (Plaid) Tattersall
Textile fibers	Acrylic Alpaca Angora Cashmere Coir Cotton Eisengarn Hemp Jute Kevlar Linen Mohair Nylon Microfiber Olefin Pashmina Polyester Piña Ramie Rayon Sea silk Silk Sisal Spandex Spider silk Wool
Finishing and printing	Androsia Batik Beetling Bingata Bògòlanfini Burnout Calendering Decatising Devoré Finishing Fulling Heatsetting Mercerization Moire Nap Rogan printing Rōketsuzome Roller printing Sanforization Tenterhook Textile printing Warp printing Waxed cotton Woodblock printing Indienne
Fabric mills	Carlo Barbera Cerruti Dormeuil Drago Ermenegildo Zegna E. Thomas Holland & Sherry Larusmiani Loro Piana Reda Scabal Vitale Barberis Canonico
Related	Dyeing Fiber History of textiles History of silk Knitting Pandy Shrinkage Swatches and strike-offs Synthetic fabric Terminology Manufacturing Preservation Weaving Yarn