Dave Davies

This article is about the English musician. For more people named David Davies, see David Davies.
Dave Davies

Promotional photo of Davies in 1971
Background information
Birth name David Russell Gordon Davies
Born (1947-02-03) 3 February 1947
Fortis Green, London, England
Genres
Occupation(s)
Instruments
  • Vocals
  • guitar
Years active 1963–present
Labels
Associated acts The Kinks
Website davedavies.com
Notable instruments

David Russell Gordon "Dave" Davies (born 3 February 1947) is an English singer, songwriter and guitarist. He is best known as the lead guitarist and occasional lead vocalist for the English rock band The Kinks, which also featured his older brother Ray Davies.

In 2003, Davies was ranked 91st in Rolling Stone magazine's list of the "100 Greatest Guitarists of All Time".[1]

Early life

6 Denmark Terrace, birthplace of Dave Davies

Davies was born at 6 Denmark Terrace, Muswell Hill, North London.[2] He was born the last of eight children, including six older sisters and an older brother, later bandmate Ray. As children, the Davies brothers were immersed in a world of different musical styles, from the music hall of their parents' generation, to the jazz and early rock n' roll that their older sisters listened to. The siblings developed a rivalry early on, with both brothers competing for their parents' and sisters' attention.[3][4]

Davies grew up playing skiffle, but soon bought an electric guitar and started experimenting with rock.[3] The Davies brothers and friend Pete Quaife jammed together in the front room of their house. Activities in the Davies household centred around this front room, culminating in large parties, where Davies' parents would sing and play piano together. The front room and these parties were musically nurturing to the Davies brothers, later influencing the Kinks' interpretations of the traditional British music hall style. Dave and his brother worked out the famous two-chord riff of their 1964 hit, "You Really Got Me", on the piano in the front room.[3][5]

Career

See also: The Kinks

Davies founded the Kinks with Pete Quaife in 1963. His brother Ray, who became the best-known member and de facto leader of the band, joined soon after.[4] The quartet was formed when drummer Mick Avory joined. Dave Davies had a turbulent relationship with Avory, one of the reasons behind the latter's departure from the band in the mid-1980s, although the two had been housemates together in the mid-1960s.[6]

Ray and Dave Davies remained the only two steady members of the band[7] (with the exception of Avory until his departure) throughout their run together. They were accompanied by an oft-changing roster of bassists and keyboardists. Davies played a largely subordinate role to his brother, often staying behind the scenes. Davies would make occasional contributions on Kinks records as lead vocalist and songwriter, with classics such as "Party Line" (the lyrics were written by Ray Davies and the song has been attributed to Ray on many editions of "Face to Face"), "Death of a Clown"[8] and "Strangers".[9]

Early years (1963–1966)

Davies was solely responsible for the signature distorted power chord sound on the Kinks' first hit, "You Really Got Me".[3] He achieved the sound by using a razor blade to slit the speaker cone on his Elpico amplifier, which he then ran through a larger Vox as a "pre-amp".[10][11] This sound was one of the first mainstream appearances of guitar distortion, which was to have a major influence on many later musicians,[7] especially in heavy metal and punk rock.

"You Really Got Me" was the group's third released single, after two previous recordings that failed to chart. They had a three-single contract with Pye Records, and needed a hit to get another. Pye didn't like the song and refused to pay for studio time.[12] The band arranged other financial support to cut the single, which became a massive hit, topping the charts in the UK and reaching #7 in the U.S.[13]

The Kinks released three albums and several EPs in the next two years. They also performed and toured relentlessly, headlining package tours with the likes of the Yardbirds and Mickey Finn, which caused tension within the band.[7] Some legendary on-stage fights erupted during this time as well. The most notorious incident was at the Capitol Theatre, Cardiff, Wales, in May 1965, involving drummer Mick Avory and Dave Davies. The fight broke out during the second number of the set, "Beautiful Delilah". It culminated with Davies insulting Avory and kicking over his drum set after finishing the first song, "You Really Got Me". Avory responded by knocking down Davies with his hi-hat stand, rendering him unconscious. He then fled from the scene, and Davies was taken to Cardiff Royal Infirmary, where he received 16 stitches to the head.[14] Avory later claimed that it was part of a new act in which the band members would hurl their instruments at each other.

During the late 1960s the group steadily evolved, as Ray's songwriting skills developed and he began to lead the group in a whole new direction.[7] The group abandoned the traditional R&B/blues sound and adopted a more nostalgic, reflective style of music, as showcased on songs like "Autumn Almanac" and "Waterloo Sunset", as well as their albums, such as Something Else by the Kinks and The Village Green Preservation Society.

Late 1960s and solo career

In July 1967, Davies released his first solo single, credited entirely under his name, (although co-written by his brother and fellow Kinks member Ray Davies) entitled "Death of a Clown".[15] In the past, as a member of the Kinks, Dave Davies had only released his own compositions on B-sides and as part of albums. The Kinks' record label sensed potential sales in a solo release from the overlooked Davies, and issued "Death of a Clown" as his debut. Although credited to Davies, it was technically a Kinks recording, as his backing band was the Kinks.

Upon its release, "Death of a Clown" rose to number three on the UK Singles Chart. Wanting to profit from the new buzz suddenly surrounding Davies, a solo LP was slated for release some time in 1968 or 1969.[16] The follow-up single, "Susannah's Still Alive", was released in November 1967;[17] however, it only reached #20 on the Melody Maker chart.[13] The release of the solo album was held back, and it was decided to wait and see how another single would fare. As anticipation grew for the release of the new LP, it was nicknamed A Hole in the Sock Of.[16] "Lincoln County" was chosen as the next single, but failed to chart. By the time a fourth single "Hold My Hand" met with the same result, a combination of Davies' own lack of interest in continuing and Pye's decision to stop killed off any hopes of an album.[3]

Eventually the tracks intended for Davies' first solo album were assembled for a 2011 compilation by Andrew Sandoval entitled Hidden Treasures. It combined the singles, B-sides that were released for various Kinks singles and a handful of album tracks that Dave had recorded for Kinks albums. Three tracks included on "Hidden Treasures" had never been released before until this compilation "Do You Wish To Be A Man", "Crying" and "Are You Ready". Many of these tracks had been assembled previously for "The Album That Never Was" released in 1987 but this album primarily consisted of the released singles and B-sides that Davies recorded and released from 1967-1969.

The Kinks Are the Village Green Preservation Society and Arthur were released in 1968 and 1969, respectively.[14] Although they received unanimous acclaim, Village Green failed to chart internationally, and Arthur was met with a mediocre commercial reception. These records, although praised by critics and the rock press,[18] were commercial failures.

"Lola", Muswell Hillbillies, and theatrical incarnation

After Arthur, the Kinks made a comeback with their hit single "Lola" and the accompanying concept album Lola versus Powerman and the Moneygoround, Part One in 1970. Dave recorded two songs of his own for this LP, the acoustic "Strangers" and the hard-rocking "Rats". The rootsy country-rock, and Americana themed Muswell Hillbillies was released in late 1971, and was well-received with critics, but failed to sell strongly. Their next five albums, Everybody's in Show-Biz, Preservation: Act 1, Preservation: Act 2, The Kinks Present A Soap Opera and Schoolboys in Disgrace, which added a large theatrical ensemble, were critical and commercial failures.

Davies made several attempts at solo albums throughout the '70s, but he never felt enough enthusiasm or interest to see the projects through. He would often act as the producer and engineer at the Kinks' main studio, Konk, in his spare time, producing albums for the likes of Claire Hamill and Andy Desmond.[19] Ray Davies commented on his brother's studio and solo work in a November 1975 interview:

My brother is all right, his life is dedicated to getting the [Konk] studio together. He's really into that. He's started recording, but I might even have to get a contract with him and say he's got to deliver [a solo] album. It may be the only way he's going to record is at gunpoint.
— in Hit Parader Magazine[14]

The Kinks left RCA Records in 1977, switching to Arista.[7] The group shed all of the extra backing vocalists and brass instrumentalists that had accompanied them throughout their theatrical years, and reverted to a five-piece rock group again. Their debut LP for Arista was entitled Sleepwalker, and was a commercial and critical comeback for the group. It was the first album in what critics usually call the "arena rock" phase of the group, in which more commercial and mainstream production techniques would be employed.[7] Dave later commented that he was glad to be back to more guitar-oriented songs, and he has listed Sleepwalker as one of his favourites.[20] His composition and earnest, almost desperate lead vocals, not to mention his particularly ripping lead guitar sound, led to airplay — especially on college stations — for his idealistic "Trust Your Heart" on the 1978 Misfits album.

1980s and onward

Davies performing in 1979

Davies would see the group through both success and failure, as they reached their commercial peak in the early 1980s. The group began adjusting their commercial methods, embracing the MTV culture that was selling records at the time. The music video for their 1982/83 single "Come Dancing" helped hoist the record to #12 on the UK charts, and #6 in the U.S — their biggest hit since "Tired of Waiting for You" in 1965.[13] The song was a nostalgic look back at childhood memories of the Davies brothers, remembering their elder sisters going out to dance at the local palais, and coming back home to the front room at 6 Denmark Terrace.

The Kinks' popularity faltered in 1985, and soon their records ceased to chart altogether. Mick Avory left the band after the Kinks' last album for Arista, Word of Mouth, mainly due to the growing animosity between him and Dave Davies.[6] Ray Davies said that Avory was his best friend in the band and he unwillingly had to choose sides, as said later in a 1989 interview:

The saddest day for me was when Mick left. Dave and Mick didn't get along. There were terrible fights, and I got to the point where I couldn't cope with it any more...Mick had an important sound. Mick wasn't a great drummer, but he was a jazz drummer — same school, same era as Charlie Watts.[21]

Bob Henrit was brought in to take Avory's place. At Ray Davies' invitation Avory agreed to manage Konk Studios, where he also served as a producer and occasional contributor on later Kinks albums.

The group switched to MCA (US) and London (UK) records in late 1985, and began work on their next album, Think Visual. The record was released in 1986, but only reached #81 on the Billboard charts. Critics were lukewarm towards it, and it did not receive significant radio play. Stephen Thomas Erlewine of Allmusic.com later commented that the album "represented an artistic dead end for the Kinks, as Ray Davies continued to crank out a series of competent, but undistinguished hard rockers." Dave Davies contributed two songs to Think Visual, "Rock 'n' Roll Cities" and "When You were a Child". Rock 'n' Roll Cities was chosen in the US as the lead single for Think Visual, and at its release it received a fair amount of play on mainstream rock radio. Davies and Mick Avory seemingly reconciled, as Davies asked him back to play drums on this track.[22]

The group recorded several more records for MCA, their last studio effort for them being 1989's UK Jive. UK Jive was received slightly better than Think Visual, but it failed to enter into the Top 100. Dave Davies contributed the song "Dear Margaret" to the vinyl record — the cassette and CD of the album also contained two further Dave Davies songs, "Bright Lights" and "Perfect Strangers".

The group left MCA and struggled to find a record label that would accept them. All four original members were inducted into the Rock and Roll Hall of Fame in 1990, but this failed to revive their career. Eventually the Kinks signed to Columbia records, who released their final studio album together, Phobia, on 13 April 1993. Despite lots of publicity pushing and press attention, the record was unsuccessful, peaking at #166. Singles released failed to chart as well, mainly due to a record label mix-up that delivered the records to store a few weeks late. To Phobia Davies contributed the songs "It's Alright (Don't Think About It)" and "Close to the Wire".

Columbia dropped the group in 1994, forcing them to retreat back to their old Konk Records. The group released To The Bone on the small independent Grapevine Records in 1994.

The Kinks took a break from recording and touring in 1996. Ray and Dave reunited onstage to perform "You Really Got Me" onstage at the Islington Assembly Hall in London on 18 December 2015. Rolling Stone magazine called their performance "rousing".[23]

Solo work, 1980s–present day

After the aborted solo effort, Davies' solo career was not revived until 1980, with the release of Dave Davies (AFL1-3603), which featured Davies performing all the instruments by himself. The album, named after its own serial number, peaked at #42 on the Billboard 200. He went on to release Glamour (1981), which charted at #152. Davies brought in a back-up band to play with him on this record. Chosen People was released in 1983, but failed to crack the Billboard 200.

Davies released his first true solo studio album in twenty years, Bug, in 2002. Fractured Mindz followed in January 2007, his first album of all new material in nearly five years. It was also his first new studio effort since his stroke in the summer of 2004 besides the track "God in my Brain" (which was recorded and released on the compilation album Kinked in January 2006).[24]

Two Worlds was recorded throughout 2010 by The Aschere Project, the production team of Dave Davies and his son Russ Davies.[25] Both members wrote, produced, and recorded all the tracks.[26] About the album's genre, Dave stated "it’s a mixture of rock, kinda classical and electronic music."[27] In February 2010, Davies released an autobiographical DVD filmed by his other son, titled Mystical Journey. His planned US tour in support of the release was postponed per doctor's advice.[28] It was announced in February 2013 that on 4 June 2013, Davies would be releasing his sixth studio album entitled I Will Be Me worldwide. Davies undertook a short tour of the US to promote the album.[24] Dave Davies performed his first UK show in thirteen years in February 2014.[25] In October 2014, to celebrate the 50th Anniversary of the Kinks, a new album by Davies, with many tracks looking back to the start of the band, titled Rippin' Up Time was released. Davies appeared on The Tonight Show Starring Jimmy Fallon to promote the album in 2014. This episode was the highest rated Tonight Show episode in 2014.

In 2015 the Dave Davies solo album Rippin Up New York City was released on Red River Entertainment. Dave Davies embarked on a solo tour to promote the album in the USA in October and November. On 18 December he was joined onstage by brother Ray Davies to perform the Kinks' hit 'You Really Got Me' together at Dave Davies' concert in London at the Islington Assembly Hall. This marked the first time in nearly 20 years that the brothers had appeared and performed together.[29] Other bandmembers included Jonathan Lea on second guitar, Tom Currier on bass, Dennis Diken of the Smithereens on drums and Debi Doss and Rebecca Wilson on backing vocals.

Signature instruments

A Gibson Flying V

Davies has played a number of guitars over time, the most recognizable of which is his Gibson Flying V. Davies bought it in 1965,[30] and soon began appearing live and on TV performances with it. Davies was one of the few guitarists who played Flying Vs at the time. It was, in that period, out of issue due to lack of interest upon its 1958 test release, and models were numbered. Guitarists like Lonnie Mack, Jimi Hendrix, Albert King and Davies himself helped stir interest in the instrument, and it would eventually become one of the signature guitars of the heavy metal era.[31]

Davies commented on his Flying V:

I used to play a Guild custom built guitar and the airline lost it on our first American tour in '64 or '65. ... I had to get a replacement quick. I went into a store and they didn't have anything I liked. I saw this dusty old guitar case and I said "What have you got in there?" he said "Oh, that's just some silly old guitar." He got it out and I bought it for about $60.[30]

Davies has played many other guitars throughout his career. He has played several models of Gibson Les Pauls over time, including a "Goldtop" model with P90 pickups and a black '78 model. On his website he lists the following:

Other guitars that were used by Dave Davies during the 60s were amongst others:

Personal life and health

Davies was expelled from school at the age of fifteen after being caught having intercourse with his girlfriend, Sue Sheehan,[33][34] on Hampstead Heath. Shortly thereafter, they were forced to separate by their respective families after Sue found out she was pregnant. Their relationship had a profound impact on Davies, who wrote a number of songs about their separation including "Funny Face", "Suzannah's Still Alive", and "Mindless Child of Motherhood". He did not meet their daughter, Tracey, until 1993.[34] In 1967 Davies married Lisbet (a cousin of Pete Quaife's first wife, Annette) and they divorced in 1990. From that marriage, Davies has four sons: Martin, Simon, Christian, and Russell. His three children Daniel, Lana, and Eddie are from a relationship with Nancy Evans. Dave briefly reunited with Sue Sheehan in the late 90s.

Davies published an autobiography, entitled Kink, in 1996, in which he discussed a brief period of bisexuality in the late 1960s, which included a brief relationship with Long John Baldry and music producer Michael Aldred. He also wrote of the tense professional relationship with his brother over the Kinks' 30-year career.

Dave became involved in a personal relationship with "Kate" Gina Hague from 1997 to 2012.

On 30 June 2004, Davies suffered a stroke while exiting a lift at Broadcasting House, where he had been promoting his then current album, Bug. He was taken to University College Hospital in Euston. Davies was released from the hospital on 27 August. Davies said in a 2006 interview:

Suddenly the right hand side of my body seized up and I couldn't move my arm or leg. Although I didn't lose consciousness, I couldn't speak. Luckily my son Christian and my publicist were there, so they carried me outside and called an ambulance.
— Dave Davies, Daily Mail, 10 October 2006.[35]

By 2006, Davies had recovered enough to be able to walk, talk and play guitar.

In September 2013 Rolling Stone magazine wrote about Davies and his girlfriend Rebecca G. Wilson.[36] She contributed backing vocals to the songs "Front Room" and "King of Karaoke". Since 2014, Wilson has gone on tour as Dave's backup singer. [37]

Discography

Main article: The Kinks discography

Singles

Release date Title Chart positions
UK Singles Chart[38] US Billboard Hot 100 Australia Belgium Canada Germany Netherlands New Zealand Sweden Norway
1967 "Death of a Clown" #3 #31 #5 #3 #2 #7
January 1968 "Susannah's Still Alive" #20 #18 #27 #10 #18 #3
July 1968 "Lincoln County"[39] #15
January 1969 "Hold My Hand"[39]

Solo studio albums

Demo recordings (The Meta Media Demo Series)

Collaborative album

Live and compilation albums

Collaborations

References

  1. ↑ "Rolling Stone 100 Greatest Guitarists of All Time".
  2. ↑ IMDB Biography of Davies
  3. 1 2 3 4 5 Google Books listing for Kink"Kink", an autobiography by Dave Davies. ISBN 0-7868-6149-5
  4. 1 2 X-Ray, The Unauthorized Autobiography, Ray Davies. ISBN 1-58567-939-9, ISBN 978-1-58567-939-3.
  5. ↑ Google Books Listing The complete guide to the music of the Kinks By Johnny Rogan, ISBN 0-7119-6314-2
  6. 1 2 "Interview with Mick Avory". Kastoffkinks.co.uk. 15 February 1944. Retrieved 3 March 2012.
  7. 1 2 3 4 5 6 Allmusic Biography of the Kinks.
  8. ↑ "Lyrics and Songwriting credits for "Death of a Clown"". Kindakinks.net. Retrieved 3 March 2012.
  9. ↑ "Lyrics and Songwriting credits for "Strangers"". Kindakinks.net. Retrieved 3 March 2012.
  10. ↑ "Profile of The Elpico Amp, By Dave Davies himself". Davedavies.com. Retrieved 3 March 2012.
  11. ↑ "Article on Davies, "Kinks Alive", By John Swenson, 1997, United Press International". Kindakinks.net. Retrieved 3 March 2012.
  12. ↑ Storyteller, Koch Records 2006
  13. 1 2 3 "Chart positions". Kindakinks.net. Retrieved 3 March 2012.
  14. 1 2 3 The Kinks: All Day and All of the Night, Day-By-Day Concerts, Recordings, etc., by Doug Hinman
  15. ↑ Wikipedia entry for Death of a Clown
  16. 1 2 "liner notes for T.A.T.N.W". Kindakinks.net. 19 October 1987. Retrieved 3 March 2012.
  17. ↑ "Lyrics for "Susannah's Still Alive"". Kindakinks.net. Retrieved 3 March 2012.
  18. ↑ Rolling Stone Review (Period) Archived 1 October 2009 at the Wayback Machine.
  19. ↑ A blog with details on the track listing and release of this Andy Desmond album. The entry is a few paragraphs down.
  20. ↑ "This Man He Laughs Tonight", interview with Dave Davies by Dave Schulps, Trouser Press, August 1980
  21. ↑ Drum Solo Artist (15 February 1944). "Mick Avory". Drum Solo Artist. Retrieved 3 March 2012.
  22. ↑ "Mick Avory at www.discogs.com". Discogs.com. 15 February 1944. Retrieved 3 March 2012.
  23. ↑ "Watch the Kinks' Ray and Dave Davies Reunite Onstage for 'You Really Got Me'". Rolling Stone. Retrieved 9 January 2016.
  24. 1 2 "What's New". Dave Davies. Retrieved 16 May 2014.
  25. 1 2 Soteriou, Stephanie (27 February 2014). "The Kinks' Dave Davies for first UK show in 13 years". Digital Spy. Retrieved 15 May 2014.
  26. ↑ "Dave Davies – The Kinks". Rock Guitar Miniatures. Retrieved 15 May 2014.
  27. ↑ Edwards, David (1 April 2011). "Those Sacred Days: DiS meets the Kinks' Dave Davies". Drowned in Sound. Retrieved 15 May 2014.
  28. ↑ Dave Davies - What's New. Davedavies.com. Retrieved 5 March 2010
  29. ↑ "The Kinks' Ray and Dave Davies Reunite After 20 Years to Play "You Really Got Me"". Retrieved 4 January 2016.
  30. 1 2 "Dave's Guitars & The Green Amp!". Davedavies.com. Retrieved 3 March 2012.
  31. ↑ Gibson Flying V by Zachary R. Fjestad, Larry Meiners ISBN 1-886768-72-2, ISBN 978-1-886768-72-7
  32. ↑ "Dave's Guitars & The Green Amp!". Davedavies.com. Retrieved 3 March 2012.
  33. ↑ Thomas M. Kitts (2008). Ray Davies: Not Like Everybody Else. New York/Abingdon: Routledge. p. 4.
  34. 1 2 "The Dedicated Follower". Uncut. January 2012. Retrieved 27 November 2012.
  35. ↑ "Interview". Retrieved 3 March 2012.
  36. ↑ http://www.rollingstone.com/music/news/dave-davies-odds-of-a-kinks-tour-in-2014-are-50-50-20130925
  37. ↑ http://www.bostonherald.com/entertainment/music/guestlisted/2015/10/last_best_show_dave_davies_at_the_wilbur
  38. ↑ Roberts, David (2006). British Hit Singles & Albums (19th ed.). London: Guinness World Records Limited. p. 142. ISBN 1-904994-10-5.
  39. 1 2 UK releases: "Lincoln County" and "Hold My Hand" were UK/European releases and were not released as singles in the U.S.

External links


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