San Carlo al Lazzaretto, Milan

Present "Rear" of the church

Facade with 19th-century portico

Aerial view of the Lazzaretto with the church of San Carlo in the center

San Carlo al Lazzaretto is a small Renaissance style octagonal church now in largo Bellintani Fra Paolo, number 1 in the quartiere Porta Venezia of Milan. It is located about three blocks northwest of the Porta Venezia. Its present situation, amidst crowded 19th and 20th century apartment blocks, has little relationship to its original placement, in the central park of a massive rectangular cloister-like 15th-century leprosarium (Lazaretto). The church, once called Tempietto di Santa Maria della Sanità or San Carlino, escaped the late-nineteenth century demolition of the Lazzaretto.

Lazzaretto in 1880, a few years before demolition

Map of Milan 1573, with rectangular Lazzaretto just outside the city walls on the right of the print

History

The Lazzaretto of Milan was a quadrangle with 400 yard long sides, designed by Lazzaro Palazzi in the late 15th century. It was located outside the city walls and Porta Orientale. In the center an altar had been placed in the open ground. After the Lazzaretto was used for housing the ill during the plague epidemic of 1576, the archbishop Carlo Borromeo commissioned a new church from Pellegrino Tibaldi. Construction from 1558 to 1592, erected this centralized church with open circumferential arches which allowed the ill to see services from all corners of the surrounding porticos.^[1][2] After the French occupation of the Duchy, the lazzaretto was used as barracks. During the Cisalpine Republic, the architect Giuseppe Piermarini was commissioned to transform the church into a secular Temple of the Nation (Tempio della Patria). Piermarini Demolished the cupola, and walled the sides, but reconstruction soon ceased. During the 19th century, the central fields of the Lazzaretto were used for agriculture, and the surrounding cloister was used by peasants. In the late 19th century, the Lazaretto buildings were nearly entirely demolished, and the church was reconsecrated by 1884, with a new dome and an added facade portico.

The church is the backdrop for a scene at the end of the Manzoni novel I Promessi Sposi.^[3]

Notes

Biography

• Maria Teresa Fiorio, Le chiese di Milano, Electa, Milano, 2006
• G. Santi, Restauri nelle chiese della Diocesi di Milano, in "Terra Ambrosiana", n°5, pp 33–49

Coordinates: 45°28′38″N 9°12′16″E / 45.47724°N 9.20456°E / 45.47724; 9.20456