Snooks Eaglin

Snooks Eaglin

Eaglin in 2006
Background information
Birth name Fird Eaglin, Jr.
Born (1937-01-21)January 21, 1937
New Orleans, Louisiana, United States
Died February 18, 2009(2009-02-18) (aged 72)
New Orleans, Louisiana, United States
Genres Blues
Occupation(s) Musician
Instruments Vocals, guitar
Years active 1953–2008
Labels Money Pit, Black Top, various
Associated acts George Porter, Jr.
Jon Cleary
Allen Toussaint
Eddie Bo

Fird Eaglin, Jr. (January 21, 1936[1][2] or 1937[3][4] – February 18, 2009), better known as Snooks Eaglin, was an American guitarist and singer based in New Orleans. In his early years he was referred to as Blind Snooks Eaglin or "Lil" Snook, and some sources use the name Ford Eaglin.

His vocal style was reminiscent of that of Ray Charles. In the 1950s, when he was in his late teens, he sometimes billed himself as "Little Ray Charles," Generally regarded as a legend of New Orleans music, he played a wide range of styles of music within the same concert, album, or even song: blues, rock and roll, jazz, country, and Latin.[5] In his early years, he also played acoustic blues.[5]

His ability to play a wide range of songs and make them his own earned him the nickname "the human jukebox." Eaglin claimed in interviews that his musical repertoire included some 2,500 songs.[1]

At live shows, he did not usually prepare set lists and was unpredictable, even to his bandmates. He played songs that came to him on stage, and he also took requests from the audience.

Career

Childhood

Eaglin lost his sight not long after his first birthday, having been stricken with glaucoma, and spent several years in the hospital with other ailments. Around the age of five he received a guitar from his father and taught himself to play by listening to and playing along with the radio. A mischievous youngster, he was given the nickname "Snooks" after a radio character named Baby Snooks.

Early years

In 1947, at the age of 11, Eaglin won a talent contest organized by the radio station WNOE by playing "Twelfth Street Rag."[1][6][7] Three years later, he dropped out of the school for the blind to become a professional musician. In 1952, he joined the Flamingoes, a local seven-piece band started by Allen Toussaint. The Flamingoes did not have a bass player, and according to Eaglin, he played both the guitar and the bass parts at the same time on his guitar. He stayed with the Flamingoes for several years, until their dissolution in the mid-1950s.

As a solo artist, his recording and touring were inconsistent, and for a man with a career of about 50 years, his discography is rather slim. His first recording was in 1953, playing guitar at a recording session for James "Sugar Boy" Crawford.

The first recordings under his own name were made after Harry Oster, a folklorist from Louisiana State University, found him playing in the streets of New Orleans. Oster recorded Eaglin in seven sessions between 1958 and 1960, which were later released by various labels, including Folkways, Folk-Lyric, and Prestige/Bluesville.[8] These recordings were in the folk blues style, with Eaglin playing an acoustic guitar without a band.

1960s and 1970s

From 1960 to 1963, Eaglin recorded for Imperial.[5] He played electric guitar in sessions for Imperial, with backup from a band including James Booker on piano and Smokey Johnson on drums. He recorded 26 tracks for Imperial (available on The Complete Imperial Recordings), many of them being songs written by Dave Bartholomew. Unlike the Harry Oster recordings, these works on Imperial are New Orleans R&B in the style for which he is widely known today.[5] After Imperial, in 1964, he recorded alone at his home with a guitar for the Swedish Broadcasting Corporation, released as I Blueskvarter 1964: Vol. 3.[9] For the remainder of the 1960s, he apparently made no recordings.

His next recorded work was for the Swedish label Sonet in 1971. Another album, Down Yonder, released in 1978, featured Ellis Marsalis on piano. Apart from his own work, he joined recording sessions with Professor Longhair in 1971 and 72 (Mardi Gras in Baton Rouge). He also played guitar on the Wild Magnolias' first album, recorded in 1973.

Black Top and later years

He joined Nauman and Hammond Scott of Black Top Records in the 1980s and obtained a recording contract with the label.[5] Eaglin's Black Top years were the most consistent years of his recording career. Between 1987 and 1999, he recorded four studio albums and a live album and appeared as a guest on a number of recordings by other Black Top artists, including Henry Butler, Earl King, and Tommy Ridgley.

After Black Top Records closed, Eaglin released The Way It Is on Money Pit Records, produced by the Scott brothers of Black Top. In 1997, Eaglin's version of "St. James Infirmary" was featured in a UK television advertisement for Budweiser lager.[10]

Death

Eaglin died of a heart attack at Ochsner Medical Center in New Orleans on February 18, 2009.[4][11][12] He had been diagnosed with prostate cancer in 2008 and had been hospitalized for treatment.[11][13] He was scheduled to make a comeback appearance at the New Orleans Jazz & Heritage Festival in the spring of 2009.[4][11] In honor of his contributions to New Orleans music, he was depicted in an artist's rendering on the cover of the "Jazz Fest Bible" edition of Offbeat magazine, for the New Orleans Jazz & Heritage Festival in 2009.

For many years, Eaglin lived in St. Rose, a suburb of New Orleans, with his wife, Dorothea. Though he did not play many live shows, he regularly performed at Rock n' Bowl in New Orleans and at the New Orleans Jazz & Heritage Festival.[5]

Discography

Original albums

Compilation albums

Harry Oster recordings

Imperial recordings

Single

References

  1. 1 2 3 Karl Bremer (Summer 1999). "Snooks Eaglin – On the Trail of the Most Elusive Guitar Player in New Orleans". Blues Access. Archived from the original on September 20, 2015. Retrieved March 22, 2014.
  2. ↑ Bill Dahl. "Snooks Eaglin | Biography". AllMusic. Archived from the original on November 1, 2015. Retrieved March 22, 2014.
  3. ↑ Eagle, Bob; LeBlanc, Eric S. (2013). Blues - A Regional Experience. Santa Barbara: Praeger Publishers. p. 181. ISBN 978-0313344237.
  4. 1 2 3 Keith Spera (February 18, 2009). "New Orleans guitarist Snooks Eaglin dies at 72 | NOLA.com". Blog.nola.com. Archived from the original on September 22, 2015. Retrieved March 22, 2014.
  5. 1 2 3 4 5 6 Du Noyer, Paul (2003). The Illustrated Encyclopedia of Music. Fulham, London: Flame Tree Publishing. p. 161. ISBN 9780823078691.
  6. ↑ "OffBeat – Snooks Eaglin on Parade". OffBeat. February 1995. Archived from the original on November 1, 2015. Retrieved November 1, 2015.
  7. ↑ Blues & Soul Records Magazine, no. 8, Mar. 31, 1996, Blues Interactions, "Snooks Eaglin Interview".
  8. ↑ Blues & Soul Records Magazine, no. 6, Sept. 20, 1995, Blues Interactions, "Snooks Eaglin Story & Discography".
  9. ↑ "Scandinavian Blues Association – ten records since 1976". Jefferson Blues Magazine. Archived from the original on June 19, 2006. Retrieved November 1, 2015.
  10. ↑ Russell, Tony (1997). The Blues: From Robert Johnson to Robert Cray. Dubai: Schirmer Books (A Carlton Book). pp. 108–109. ISBN 9780028648866.
  11. 1 2 3 Stacey Plaisance (February 18, 2015). "R&B, jazz guitarist Snooks Eaglin dies at age 72". Associated Press. Archived from the original on February 23, 2009. Retrieved November 1, 2015.
  12. ↑ Stacey Plaisance (February 18, 2015). "R&B, jazz guitarist Snooks Eaglin dies at age 72". San Diego Union Tribune. Archived from the original on November 1, 2015. Retrieved November 1, 2015.
  13. ↑ "Weekly Beat - January 29, 2009 | Health Wanted". OffBeat magazine. January 29, 2009. Archived from the original on February 18, 2009. Retrieved November 1, 2015.
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