Chaim Soutine

Chaïm Soutine

Chaim Soutine (with signature)
Born 13 January 1893 (1893-01-13)
Smilavichy, Russian Empire
Died 9 August 1943 (1943-08-10) (aged 50)
Paris, France
Nationality Russian
Education Vilna Academy of Fine Arts, École des Beaux-Arts, Fernand Cormon
Known for Painting
Movement Expressionism
Patron(s) Albert C. Barnes, Leopold Zborowski

Chaïm Soutine (13 January 1893 – 9 August 1943) was a Russian painter of Belarusian Jewish origin.[1] Soutine made a major contribution to the expressionist movement while living in Paris.

Inspired by classic painting in the European tradition, exemplified by the works of Rembrandt, Chardin[2] and Courbet, Soutine developed an individual style more concerned with shape, color, and texture over representation, which served as a bridge between more traditional approaches and the developing form of Abstract Expressionism.

Biography

A painting of a man
Amedeo Modigliani, Portrait of Soutine, 1916
A painting of a man
Amedeo Modigliani, Chaim Soutine, 1917, National Gallery of Art

Soutine was born Chaim Sutin, in Smilavichy near Minsk, (modern day) Belarus (then part of the Russian Empire). He was the tenth of eleven children. From 1910 to 1913 he studied in Vilnius at the Vilna Academy of Fine Arts. In 1913, with his friends Pinchus Kremegne (1890–1981) and Michel Kikoine (1892–1968), he emigrated to Paris, where he studied at the École des Beaux-Arts under Fernand Cormon. He soon developed a highly personal vision and painting technique.

Self Portrait, 1918, Henry and Rose Pearlman Collection, on long-term loan to the Princeton University Art Museum

For a time, he and his friends lived at La Ruche, a residence for struggling artists in Montparnasse where he became friends with Amedeo Modigliani (1884–1920). Modigliani painted Soutine's portrait several times, most famously in 1917, on a door of an apartment belonging to Léopold Zborowski (1889–1932), who was their art dealer.[3] Zborowski supported Soutine through World War I, taking the struggling artist with him to Nice to escape the German invasion of Paris.

After the war Paul Guillaume, a highly influential art dealer, began to champion Soutine's work. In 1923, in a showing arranged by Guillaume, the prominent American collector Albert C. Barnes (1872–1951), bought 60 of Soutine's paintings on the spot. Soutine, who had been virtually penniless in his years in Paris, immediately took the money, ran into the street, hailed a Paris taxi, and ordered the driver to take him to Nice, on the French Riviera, more than 400 miles away.

Soutine once horrified his neighbours by keeping an animal carcass in his studio so that he could paint it (Carcass of Beef). The stench drove them to send for the police, whom Soutine promptly lectured on the relative importance of art over hygiene. There's a story that Marc Chagall saw the blood from the carcass leak out onto the corridor outside Soutine's room, and rushed out screaming, 'Someone has killed Soutine.'[4] Soutine painted 10 works in this series, which have since become his most well-known. His carcass paintings were inspired by Rembrandt's still life of the same subject, which he discovered while studying the Old Masters in the Louvre. Soutine produced the majority of his works from 1920 to 1929. From 1930 to 1935, the interior designer Madeleine Castaing and her husband welcomed him to their summer home, the mansion of Lèves, becoming his patrons, so that Soutine could hold his first exhibition in Chicago in 1935. He seldom showed his works, but he did take part in the important exhibition The Origins and Development of International Independent Art held at the Galerie nationale du Jeu de Paume in 1937 in Paris, where he was at last hailed as a great painter. Soon afterwards France was invaded by German troops. As a Jew, Soutine had to escape from the French capital and hide in order to avoid arrest by the Gestapo. He moved from one place to another and was sometimes forced to seek shelter in forests, sleeping outdoors. Suffering from a stomach ulcer and bleeding badly, he left a safe hiding place for Paris in order to undergo emergency surgery, which failed to save his life. On August 9, 1943, Chaim Soutine died of a perforated ulcer. He was interred in Cimetière du Montparnasse, Paris.

Legacy

In February 2006, an oil painting of his controversial and iconic series Le Bœuf Écorché (1924) sold for a record £7.8 million ($13.8 million) to an anonymous buyer at a Christie's auction held in London—after it was estimated to fetch £4.8 million. In February 2007, a 1921 portrait of an unidentified man with a red scarf (L'Homme au Foulard Rouge) by Chaim Soutine sold for $17.2 million—a new record—at Sotheby's London auction house. In May 2015, Le Bœuf, circa 1923, oil on canvas, achieved a record price for the artist of $28,165,000 at the Christie's curated auction Looking forward to the past.

Some years after Soutine's death, Roald Dahl placed him as a character in his short story Skin.[5]

Footnotes

  1. ↑ Giraudon, Colette. "Chaim Soutine", from Grove Art Online. MoMA website
  2. ↑ Kleeblatt, 13
  3. ↑ Kleeblatt et al., 101
  4. ↑ Wullschlager, Jackie (2008). Chagall - Love and Exile. Allen Lane. p. 154. ISBN 978-0-7139-9652-4.
  5. ↑ http://www.roalddahlfans.com/shortstories/skin.php

References

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