The Redcoats

The Redcoats
Background information
Also known as	The Statesiders The Sidekicks
Origin	Wildwood, New Jersey, United States
Genres	Garage rock pop rock
Years active	1964 (1964)–1967 (1967)
Labels	Providence
Past members	John Spirit Mike Burke Randy Bochelle Zack Bochelle

The Redcoats were an American garage rock band formed in Wildwood, New Jersey, in 1964. Heavily influenced by the Beatles from the onset, the group released one single as the Redcoats before recording as the Sidekicks. As the Sidekicks, the band earned a national hit with their tune, "Suspicions", and recorded an album in 1966. Although it is rare for recently discovered recordings by a garage band to be released on an album, in 2001 Meet the Redcoats! Finally was issued with all of the group's recovered material.

History

Co-founder John Spirit (drums) possessed prior recording experience and national success as a credited writer and singer on the Ran-Dells' Top 20 novelty hit "Martian Hop", in 1963.^[1] With the arrival of the Beatles and the onset of the British Invasion, Spirit formed a Beatlesque band, which complimented his composing style. Spirit recruited Zach Bochelle (lead vocals, rhythm guitar), Randy Bochelle (bass guitar, and Mike Burke (lead guitar, vocals) as bandmates, and hired record producer Steven Rappaport – the cousin of Spirit and producer of "Martian Hop" – as the band's manager.^[2] When asked if the band had any other influences in an interview, Rappaport limited them just to the Fab Four, before saying: "it's obvious from listening that their influences were generally Merseybeat – not just the Beatles".^[3] After extensive rehearsals at Spirit's home garage, the group signed to Providence Records, a subsidiary record label of Laurie Records, in 1965.^[1]

Before recording as the Redcoats, the group released a single, "She Belonged to Another", as the Statesiders in early-1965, according to the BMI database.^[4] Credited to Carnaby and Shakespeare, pseudonyms for Spirit and Burke, music historian Chris Bishop hypothesizes the single was recorded without the Bochelle brothers' participation, which explains the release's absence from Zach Bochelle's history of the Redcoats.^[4] In 1986, "She Belonged to Another" was featured on Mindrockers, Volume 12.^[5] The band, under the name the Redcoats, entered the studios again in the latter half of 1965, recording two Merseybeat-influenced tunes: "Love Unreturned" and "The Dum-Dum Song", both highlighted by English-sounding vocal harmonies. Receiving local radio play in New Jersey, the Redcoats garnered a following in the region with the songs, which were issued on their second single. More recording sessions followed; however, Rappaport could not manage to have the new material released on Providence Records.^[2]

Rappaport departed for Europe in 1966, leaving the group to arrange a contractual agreement with a wealthy investor from Philadelphia. With the band signed to RCA Records and their name changed to the Sidekicks, Spirit's composition "Suspicions" was chosen to be recorded with full orchestrated arrangements.^[4] It became a moderate national hit, reaching number 55 on the Billboard Hot 100.^[6] As a result of their success, the Sidekicks recorded an album titled Fifi the Flea, which mixed a combination of Spirit originals and pop tunes.^[7] However, the group's new manager exploited the band members of most of their royalties, forcing a disillusioned Spirit to disband the Sidekicks by early-1967.^[2]

Years after the group broke-up, Rappaport discovered the master tapes to the band's recording sessions as the Redcoats. Although the sound-quality was poor in its original state, Rappaport digitally remastered the tapes and presented them to Dionysus Records, which agreed to distribute a total of twelve songs (ten previously unreleased).^[3] On April 17, 2001, the material appeared on Meet the Redcoats! Finally, a rare feat for a 1960s garage band to have unreleased songs issued after such an amount of time.^[8] Eight additional compositions were also recorded around the same time period as those presented on the album; however, Rappaport reported the taped as being "lost forever".^[3] Commenting on Meet the Redcoats! Finally, music historian Richie Unterberger was critical of the lack of originality, but also wrote the album is "quite a refreshing contrast to the cruder, less-melodic, and less-musically accomplished sounds that are far more the norm for super-obscure '60s garage reissues".^[9]

References