Walter von Molo

Walter von Molo, 1930

Walter Ritter/Reichsritter von Molo (June 14, 1880, Šternberk, Moravia – October 27, 1958, Hechendorf, now Murnau am Staffelsee) was a Czech-born Austrian writer.

Life

Walter von Molo was born on 14 June 1880 in Šternberk, Moravia. His youth was spent in Vienna, the capital of the Austro-Hungarian Empire. At high school he studied mechanical and electrical engineering; he married his first wife, Rosa Richter, in 1906, had a son and daughter, and worked until 1913 as an engineer in the Viennese Patent Office. Shortly before the outbreak of the First World War he moved to Berlin to be with his Bavarian parents and rediscover his German roots, just as Berlin was transforming itself into a cultural capital. It was there that he embarked upon his career as a writer.

His first works, published during and shortly after the war, were bestsellers, and he quickly became one of the most popular of all German-speaking authors of the first half of the century. The books included biographies of Friedrich Schiller, Frederick the Great, and Prince Eugen, as well as novels such as Ein Volk wacht auf ("A People Awakes", 1918–21). All were strongly marked by German nationalism.

In 1925 he divorced Rosa, and five years later married Annemarie Mummenhoff.

Molo was a founding member of the German PEN Club, and also, in 1926, of the Prussian Academy of Arts. From 1928 to 1930 he was chairman of the poetry section.

Molo remained a member of the academy after its purging of Jewish members, and on 15 March 1933 he signed a declaration pledging loyalty to the Nazi leaders. In October he was one of the 88 German writers who went so far as to subscribe to the Vow of Most Faithful Allegiance (Gelöbnis treuester Gefolgschaft) to Adolf Hitler. This was the same year that his two children left Germany. (Conrad returned in 1940; Trude did not.) In 1936 Molo wrote the screenplay for the film Fridericus, based on his novel of 1918. During the Second World War he wrote articles for the Nazi-controlled newspaper Krakauer Zeitung published in occupied Cracow.

Although Molo's biography of Frederick II of Prussia was praised by the Nazis, he nevertheless came under attack as unvölkisch, ein Judenfreund and Pazifist (he had, for example, effusively praised the work of E. M. Remarque), and there were attempts to push him from public life, with the banning of plays, and the suppression of certain books and their removal from libraries. In 1934, to avoid the public spotlight, he resigned from all the learned societies (except the Goethe Society) and moved to Murnau am Staffelsee, where he had bought property two years before. The idea of exile from Germany itself was unthinkable to him. House searches and defamatory articles continued, and in August 1939 he was denaturalised. However, he was co-writer of the movie script The Endless Road. As a result of the harassment, he destroyed, with the help of his second wife Anne Marie, a large part of his private library, including correspondence with Stefan Zweig, books by Thomas and Heinrich Mann bearing personal dedications, and many papers of his colleagues. All this potentially incriminating material ended up at the bottom of his garden pond. He was never placed under "protective custody" (Schutzhaft) as others were.

After the war he would become a bitter critic of the authors who had fled Germany. On 4 August 1945 an open letter from Molo to Thomas Mann, begging him to return from the United States, was published in the Hessischen Post and other newspapers both in Germany and abroad: "Your people, hungering and suffering for a third of a century, has in its innermost core nothing in common with all the misdeeds and crimes, the shameful horrors and lies...." His sentiments were echoed by Frank Thiess, whose own piece would popularise the use of the phrase innere Emigration to describe the choice of some intellectuals to remain in Germany, a phrase Mann himself had used in 1933. Mann responded, on 28 September, in a statement which caused general indignation in Germany, that new books "published in Germany between 1933 and 1945, can be called less than worthless", that exile had been a sacrifice and not an evasion, and that the nation as a whole did bear responsibility for atrocities committed by its leaders.[1]

This unleashed a huge controversy between the exiled authors and the ones who had chosen to remain. Molo claimed that writers who had abandoned Germany forfeited the right to shape its future.

Despite his appointment as honorary chairman of the German Society of Authors, he did not regain his former prominence. He died on 27 October 1958, and his remains were interred in what is now Molo Park in Murnau. Rosa died in 1970, and Annemarie in 1983.

Works

Stories and novels

Plays

Screenplays

Other writings

See also

Notes

  1. ↑ Stephen Brockmann. German literary culture at the zero hour. Camden House, Rochester, 2004.

References

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