Color difference

The difference or distance between two colors is a metric of interest in color science. It allows quantified examination of a notion that formerly could only be described with adjectives. Quantification of these properties is of great importance to those whose work is color critical. Common definitions make use of the Euclidean distance in a device independent color space.

Delta E

The International Commission on Illumination (CIE) calls their distance metric $Δ E * ab$ (also called $Δ E*$ , $dE *$ , $dE$ , or "Delta E") where delta is a Greek letter often used to denote difference, and E stands for Empfindung; German for "sensation". Use of this term can be traced back to the influential Hermann von Helmholtz and Ewald Hering.^[1]^[2]

Different studies have proposed different $Δ E$ values that have a JND (just noticeable difference). Unempirically, a value of '1.0' is often mentioned, but in a recent study, Mahy et al. (1994) assessed a JND of $2.3 Δ E$ . However, perceptual non-uniformities in the underlying CIELAB color space prevent this and have led to the CIE's refining their definition over the years, leading to the superior (as recommended by the CIE) 1994 and 2000 formulas.^[3] These non-uniformities are important because the human eye is more sensitive to certain colors than others. A good metric should take this into account in order for the notion of a "just noticeable difference" to have meaning. Otherwise, a certain $Δ E$ that may be insignificant between two colors that the eye is insensitive to may be conspicuous in another part of the spectrum.^[4]

CIE76

The 1976 formula is the first color-difference formula that related a measured to a known set of CIELAB coordinates. This formula has been succeeded by the 1994 and 2000 formulas because the CIELAB space turned out to be not as perceptually uniform as intended, especially in the saturated regions. This means that this formula rates these colors too highly as opposed to other colors.

Using $({L_{1}^{*}},{a_{1}^{*}},{b_{1}^{*}})$ and $({L_{2}^{*}},{a_{2}^{*}},{b_{2}^{*}})$ , two colors in L*a*b*:

\Delta E_{ab}^{*}={\sqrt {(L_{2}^{*}-L_{1}^{*})^{2}+(a_{2}^{*}-a_{1}^{*})^{2}+(b_{2}^{*}-b_{1}^{*})^{2}}}

$\Delta E_{ab}^{*}\approx 2.3$ corresponds to a JND (just noticeable difference).^[5]

CIE94

The 1976 definition was extended to address perceptual non-uniformities, while retaining the L*a*b* color space, by the introduction of application-specific weights derived from an automotive paint test's tolerance data.^[6]

ΔE (1994) is defined in the L*C*h* color space with differences in lightness, chroma and hue calculated from L*a*b* coordinates. Given a reference color^[7] $(L_{1}^{*},a_{1}^{*},b_{1}^{*})$ and another color $(L_{2}^{*},a_{2}^{*},b_{2}^{*})$ , the difference is:^[8]^[9]^[10]

\Delta E_{94}^{*}={\sqrt {\left({\frac {\Delta L^{*}}{k_{L}S_{L}}}\right)^{2}+\left({\frac {\Delta C_{ab}^{*}}{k_{C}S_{C}}}\right)^{2}+\left({\frac {\Delta H_{ab}^{*}}{k_{H}S_{H}}}\right)^{2}}}

where:

\Delta L^{*}=L_{1}^{*}-L_{2}^{*}

C_{1}^{*}={\sqrt {{a_{1}^{*}}^{2}+{b_{1}^{*}}^{2}}}

C_{2}^{*}={\sqrt {{a_{2}^{*}}^{2}+{b_{2}^{*}}^{2}}}

\Delta C_{ab}^{*}=C_{1}^{*}-C_{2}^{*}

\Delta H_{ab}^{*}={\sqrt {{\Delta E_{ab}^{*}}^{2}-{\Delta L^{*}}^{2}-{\Delta C_{ab}^{*}}^{2}}}={\sqrt {{\Delta a^{*}}^{2}+{\Delta b^{*}}^{2}-{\Delta C_{ab}^{*}}^{2}}}

\Delta a^{*}=a_{1}^{*}-a_{2}^{*}

\Delta b^{*}=b_{1}^{*}-b_{2}^{*}

S_{L}=1

S_{C}=1+K_{1}C_{1}^{*}

S_{H}=1+K_{2}C_{1}^{*}

and where k_C and k_H are usually both unity and the weighting factors k_L, K₁ and K₂ depend on the application:

	graphic arts	textiles
$k_{L}$	1	2
$K_{1}$	0.045	0.048
$K_{2}$	0.015	0.014

Geometrically, the quantity $\Delta H_{ab}^{*}$ corresponds to the arithmetic mean of the chord lengths of the equal chroma circles of the two colors. ^[11]

CIEDE2000

Since the 1994 definition did not adequately resolve the perceptual uniformity issue, the CIE refined their definition, adding five corrections:^[12]^[13]

A hue rotation term (R_T), to deal with the problematic blue region (hue angles in the neighborhood of 275°):^[14]
Compensation for neutral colors (the primed values in the L*C*h differences)
Compensation for lightness (S_L)
Compensation for chroma (S_C)
Compensation for hue (S_H)

\Delta E_{00}^{*}={\sqrt {\left({\frac {\Delta L'}{k_{L}S_{L}}}\right)^{2}+\left({\frac {\Delta C'}{k_{C}S_{C}}}\right)^{2}+\left({\frac {\Delta H'}{k_{H}S_{H}}}\right)^{2}+R_{T}{\frac {\Delta C'}{k_{C}S_{C}}}{\frac {\Delta H'}{k_{H}S_{H}}}}}

Note: The formulae below should use degrees rather than radians; the issue is significant for R_T.

The k_L, k_C, and k_H are usually unity.

\Delta L^{\prime }=L_{2}^{*}-L_{1}^{*}

{\bar {L}}={\frac {L_{1}^{*}+L_{2}^{*}}{2}}\quad {\bar {C}}={\frac {C_{1}^{*}+C_{2}^{*}}{2}}

a_{1}^{\prime }=a_{1}^{*}+{\frac {a_{1}^{*}}{2}}\left(1-{\sqrt {\frac {{\bar {C}}^{7}}{{\bar {C}}^{7}+25^{7}}}}\right)\quad a_{2}^{\prime }=a_{2}^{*}+{\frac {a_{2}^{*}}{2}}\left(1-{\sqrt {\frac {{\bar {C}}^{7}}{{\bar {C}}^{7}+25^{7}}}}\right)

{\bar {C}}^{\prime }={\frac {C_{1}^{\prime }+C_{2}^{\prime }}{2}}{\mbox{ and }}\Delta {C'}=C'_{2}-C'_{1}\quad {\mbox{where }}C_{1}^{\prime }={\sqrt {a_{1}^{'^{2}}+b_{1}^{*^{2}}}}\quad C_{2}^{\prime }={\sqrt {a_{2}^{'^{2}}+b_{2}^{*^{2}}}}\quad

h_{1}^{\prime }={\text{atan2}}(b_{1}^{*},a_{1}^{\prime })\mod 360^{\circ },\quad h_{2}^{\prime }={\text{atan2}}(b_{2}^{*},a_{2}^{\prime })\mod 360^{\circ }

Note: The inverse tangent (tan⁻¹) can be computed using a common library routine atan2(b, a′) which usually has a range from −π to π radians; color specifications are given in 0 to 360 degrees, so some adjustment is needed. The inverse tangent is indeterminate if both a′ and b are zero (which also means that the corresponding C′ is zero); in that case, set the hue angle to zero. See Sharma 2005, eqn. 7.

\Delta h'={\begin{cases}h_{2}^{\prime }-h_{1}^{\prime }&\left|h_{1}^{\prime }-h_{2}^{\prime }\right|\leq 180^{\circ }\\h_{2}^{\prime }-h_{1}^{\prime }+360^{\circ }&\left|h_{1}^{\prime }-h_{2}^{\prime }\right|>180^{\circ },h_{2}^{\prime }\leq h_{1}^{\prime }\\h_{2}^{\prime }-h_{1}^{\prime }-360^{\circ }&\left|h_{1}^{\prime }-h_{2}^{\prime }\right|>180^{\circ },h_{2}^{\prime }>h_{1}^{\prime }\end{cases}}

Note: When either C′₁ or C′₂ is zero, then Δh′ is irrelevant and may be set to zero. See Sharma 2005, eqn. 10.

\Delta H^{\prime }=2{\sqrt {C_{1}^{\prime }C_{2}^{\prime }}}\sin(\Delta h^{\prime }/2),\quad {\bar {H}}^{\prime }={\begin{cases}(h_{1}^{\prime }+h_{2}^{\prime })/2&\left|h_{1}^{\prime }-h_{2}^{\prime }\right|\leq 180^{\circ }\\(h_{1}^{\prime }+h_{2}^{\prime }+360^{\circ })/2&\left|h_{1}^{\prime }-h_{2}^{\prime }\right|>180^{\circ },h_{1}^{\prime }+h_{2}^{\prime }<360^{\circ }\\(h_{1}^{\prime }+h_{2}^{\prime }-360^{\circ })/2&\left|h_{1}^{\prime }-h_{2}^{\prime }\right|>180^{\circ },h_{1}^{\prime }+h_{2}^{\prime }\geq 360^{\circ }\end{cases}}

Note: When either C′₁ or C′₂ is zero, then H′ is h′₁+h′₂ (no divide by 2; essentially, if one angle is indeterminate, then use the other angle as the average; relies on indeterminate angle being set to zero). See Sharma 2005, eqn. 7 and p. 23 stating most implementations on the internet at the time had "an error in the computation of average hue".

T=1-0.17\cos({\bar {H}}^{\prime }-30^{\circ })+0.24\cos(2{\bar {H}}^{\prime })+0.32\cos(3{\bar {H}}^{\prime }+6^{\circ })-0.20\cos(4{\bar {H}}^{\prime }-63^{\circ })

S_{L}=1+{\frac {0.015\left({\bar {L}}-50\right)^{2}}{\sqrt {20+{\left({\bar {L}}-50\right)}^{2}}}}\quad S_{C}=1+0.045{\bar {C}}^{\prime }\quad S_{H}=1+0.015{\bar {C}}^{\prime }T

R_{T}=-2{\sqrt {\frac {{\bar {C}}'^{7}}{{\bar {C}}'^{7}+25^{7}}}}\sin \left[60^{\circ }\cdot \exp \left(-\left[{\frac {{\bar {H}}'-275^{\circ }}{25^{\circ }}}\right]^{2}\right)\right]

CMC l:c (1984)

In 1984, the Colour Measurement Committee of the Society of Dyers and Colourists defined a difference measure, also based on the L*C*h color model. Named after the developing committee, their metric is called CMC l:c. The quasimetric has two parameters: lightness (l) and chroma (c), allowing the users to weight the difference based on the ratio of l:c that is deemed appropriate for the application. Commonly used values are 2:1^[15] for acceptability and 1:1 for the threshold of imperceptibility.

The distance of a color $(L_{2}^{*},C_{2}^{*},h_{2})$ to a reference $(L_{1}^{*},C_{1}^{*},h_{1})$ is:^[16]

\Delta E_{CMC}^{*}={\sqrt {\left({\frac {L_{2}^{*}-L_{1}^{*}}{lS_{L}}}\right)^{2}+\left({\frac {C_{2}^{*}-C_{1}^{*}}{cS_{C}}}\right)^{2}+\left({\frac {\Delta H_{ab}^{*}}{S_{H}}}\right)^{2}}}

$S_{L}={\begin{cases}0.511&L_{1}^{*}<16\\{\frac {0.040975L_{1}^{*}}{1+0.01765L_{1}^{*}}}&L_{1}^{*}\geq 16\end{cases}}\quad S_{C}={\frac {0.0638C_{1}^{*}}{1+0.0131C_{1}^{*}}}+0.638\quad S_{H}=S_{C}(FT+1-F)$

$F={\sqrt {\frac {C_{1}^{*^{4}}}{C_{1}^{*^{4}}+1900}}}\quad T={\begin{cases}0.56+|0.2\cos(h_{1}+168^{\circ })|&164^{\circ }\leq h_{1}\leq 345^{\circ }\\0.36+|0.4\cos(h_{1}+35^{\circ })|&{\mbox{otherwise}}\end{cases}}$

CMC l:c is designed to be used with D65 and the CIE Supplementary Observer.^[17]

Tolerance

A MacAdam diagram in the CIE 1931 color space. The ellipses are shown ten times their actual size.

Tolerancing concerns the question "What is a set of colors that are imperceptibly/acceptably close to a given reference?" If the distance measure is perceptually uniform, then the answer is simply "the set of points whose distance to the reference is less than the just-noticeable-difference (JND) threshold." This requires a perceptually uniform metric in order for the threshold to be constant throughout the gamut (range of colors). Otherwise, the threshold will be a function of the reference color—cumbersome as a practical guide.

In the CIE 1931 color space, for example, the tolerance contours are defined by the MacAdam ellipse, which holds L* (lightness) fixed. As can be observed on the diagram on the right, the ellipses denoting the tolerance contours vary in size. It is partly this non-uniformity that led to the creation of CIELUV and CIELAB.

More generally, if the lightness is allowed to vary, then we find the tolerance set to be ellipsoidal. Increasing the weighting factor in the aforementioned distance expressions has the effect of increasing the size of the ellipsoid along the respective axis.^[18]

Footnotes

↑ Backhaus, W.; Kliegl, R.; Werner, J. S. (1998). Color Vision: Perspectives from Different Disciplines. Walter de Gruyter. p. 188. ISBN 9783110154313. Retrieved 2014-12-02.
↑ Valberg, A. (2005). Light Vision Color. Wiley. p. 278. ISBN 9780470849026. Retrieved 2014-12-02.
↑ Real World Color Management, Second Edition (Bruce Fraser)
↑ Evaluation of the CIE Color Difference Formulas
↑ Sharma, Gaurav (2003). Digital Color Imaging Handbook (1.7.2 ed.). CRC Press. ISBN 0-8493-0900-X.
↑ "Delta E: The Color Difference". Colorwiki.com. Retrieved 2009-04-16.
↑ Called such because the operator is not commutative. This makes it a quasimetric.
↑ Lindbloom, Bruce Justin. "Delta E (CIE 1994)". Brucelindbloom.com. Retrieved 2011-03-23.
↑ "Colour Difference Software by David Heggie". Colorpro.com. 1995-12-19. Retrieved 2009-04-16.
↑ "CIE 1976 L*a*b* Colour space draft standard" (PDF). Retrieved 2011-03-23.
↑ Klein, Georg A. Industrial Color Physics. p. 147. ISBN 978-1-4419-1196-4.
↑ Sharma, Gaurav; Wu, Wencheng; Dalal, Edul N. (2005). "The CIEDE2000 color-difference formula: Implementation notes, supplementary test data, and mathematical observations" (PDF). Color Research & Applications. Wiley Interscience. 30 (1): 21–30. doi:10.1002/col.20070.
↑ Lindbloom, Bruce Justin. "Delta E (CIE 2000)". Brucelindbloom.com. Retrieved 2009-04-16.
↑ The "Blue Turns Purple" Problem, Bruce Lindbloom
↑ Meaning that the lightness contributes half as much to the difference (or, identically, is allowed twice the tolerance) as the chroma
↑ Lindbloom, Bruce Justin. "Delta E (CMC)". Brucelindbloom.com. Retrieved 2009-04-16.
↑ CMC
↑ Susan Hughes (14 January 1998). "A guide to Understanding Color Tolerancing" (PDF). Retrieved 2014-12-02.

External links

Bruce Lindbloom's color difference calculator. Uses all metrics defined herein.
The CIEDE2000 Color-Difference Formula, by Gaurav Sharma. Implementations in MATLAB and Excel.

Color topics

Color science

Color physics	Electromagnetic spectrum Light Rainbow Visible Spectral colors Chromophore Structural coloration Animal coloration On Vision and Colors Metamerism Spectral power distribution

Color perception	Color vision Color blindness test Tetrachromacy Color constancy Color term Color depth Color photography Spot color Color printing Web colors Color mapping Color code Color management Chrominance False color Chroma key Color balance Color cast Color temperature Eigengrau

Color psychology	Color symbolism Color preferences Lüscher color test Kruithof curve Political color National colors Chromophobia Chromotherapy

Color
philosophy

Color space	Color model additive subtractive Color mixing Primary color Secondary color Tertiary color (intermediate) Quaternary color Quinary color Aggressive color (warm) Receding color (cool) Pastel colors Color gradient

Color scheme	Color tool Monochromatic colors Complementary colors Analogous colors Achromatic colors (Neutral) Polychromatic colors Impossible colors Light-on-dark Tinctures in heraldry

Color theory	Chromaticity diagram Color solid Color wheel Color triangle Color analysis (art) Color realism (art style)

Color terms

Basic terms	Red Green Blue Yellow Orange Purple Pink Brown Black Gray White

Cultural differences	Linguistic relativity and the color naming debate Blue–green distinction in language Color history Color in Chinese culture Traditional colors of Japan Human skin color

Color dimensions	Hue Dichromatism Colorfulness (chroma and saturation) Tints and shades Lightness (tone and value) Grayscale

Color
organizations

Lists

Category
Portal
Index of color-related articles

This article is issued from Wikipedia - version of the 9/23/2016. The text is available under the Creative Commons Attribution/Share Alike but additional terms may apply for the media files.