Get Happy!! (Elvis Costello album)

Get Happy!!
Studio album by Elvis Costello and the Attractions
Released	15 February 1980
Recorded	October 1979
Genre	New wave, soul
Length	48:08
Label	F-Beat Records UK Columbia US Demon/Rykodisc (29 April 1994 Reissue) Rhino (9 September 2003 Reissue) Hip-O (1 May 2007 Reissue)
Producer	Nick Lowe
Elvis Costello and the Attractions chronology
Armed Forces (1979) Get Happy!! (1980) Taking Liberties (1980)

Get Happy!! is a studio album by Elvis Costello and the Attractions. The fourth album by Elvis Costello, his third with the Attractions, it is notable for being a dramatic break in tone from Costello's three previous albums, and for being heavily influenced by R&B, ska and soul music. The cover art was intentionally designed to have a "retro" feel, to look like the cover of an old LP with ring wear on both front and back.^[1]

Like its predecessor Armed Forces, it was commercially successful, charting at number 11 in the US and number 2 in the UK, where it went gold. It was placed at No. 11 on Rolling Stone magazine's list of the 100 greatest albums of the 1980s.

Background

During the American concert tour for Armed Forces in April 1979, Costello engaged in a drunken argument with Stephen Stills and Bonnie Bramlett in a Columbus, Ohio, Holiday Inn hotel bar, during which he referred to James Brown as a "jive-arsed nigger," then upped the ante by pronouncing Ray Charles a "blind, ignorant nigger." Costello apologised at a New York City press conference a few days later, claiming that he had been drunk and had been attempting to be obnoxious to bring the conversation to a swift conclusion, not anticipating that Bramlett would bring his comments to the press.

It has been suggested that the R&B influence on the album was an attempt to atone for his comments,^[2] but as Costello writes in the liner notes for the 2002 Rhino version,

The band had played some of the songs during the "Armed Funk Tour" and had rehearsed them for the record, but were dissatisfied with the sound, feeling it was too "new wave."^[4] (Some of the original versions can be found on disc 2 of the Rhino release.) They then went back and re-arranged many of the songs using an R&B sound. On their US tours, Costello had been able to find a number of R&B records of his favourite artists and having been listening to them during the rehearsals, decided to emulate the feel of those songs.^[3]

The band recorded the album at Wisseloord Studios in Hilversum, Netherlands, in an attempt to isolate themselves from distractions, but they were still able to keep themselves drunk during the recording sessions.^[3] The exception to this was "New Amsterdam," which was recorded solo by Costello in a small studio in Pimlico.

With twenty songs on the original album, the vinyl cutting and pressing process had to be precise to fit all of them on the two sides of the record.^[4] A commercial for the album, added as a hidden track on the Rhino Records remaster, jokes about the album's length and number of songs.

Packaging and artwork

The Get Happy!! sleeve was designed by F-Beat art director Barney Bubbles,^[5] who had worked with Costello at Stiff and Radar. He does not receive a credit in line with his insistence on anonymity.

The original album sleeve reversed the two sides; side one began with "I Can't Stand Up for Falling Down" (the current single) and ended with "Riot Act". The second side started with "Love for Tender" and ended with "High Fidelity". Only on the record labels themselves was the true running order revealed.

Original vinyl release

The original release of the album was on 12-inch vinyl and cassette. It was unusual for a single vinyl record to contain as many as twenty songs because it was thought that what was known in the industry as "groove cramming" would result in a loss of sound quality. Get Happy's producer, Nick Lowe, mentions this issue on the album's back cover:

Reception

Professional ratings
Review scores
Source	Rating
AllMusic	[2]
Blender	[6]
Chicago Tribune	[7]
Christgau's Record Guide	B[8]
Entertainment Weekly	A+[9]
The Rolling Stone Album Guide	[10]
Select	4/5[11]
Smash Hits	7/10[12]
Sounds	[13]
Uncut	[14]

Although the album received generally positive reviews upon its release, praise wasn't as unconditional as it had been for its predecessors. Rolling Stone's original review stated that "if the new album is hard to get into, it's also difficult to ignore"^[15] but a later review incorporated into its album guide gave it 4.5/5 stars, calling it a "tour de force".^[10] It was ranked at #2 among the "Albums of the Year" by NME.^[16] Red Starr, writing in Smash Hits, said the album was "short on memorable songs" but added that "repeated plays reveal hidden depths".^[12] Robert Christgau gave it a B, saying that there were "lotsa duds".^[8] In the Village Voice's annual Pazz & Jop music critics' poll, the album placed 7th overall for 1980, beating out such better selling releases as Michael Jackson's Off the Wall, Stevie Wonder's Hotter than July and Pete Townshend's Empty Glass.^[17]

Retrospective reviews have been much more positive, and the album has been since considered to be one of Costello's greatest, as well as one of the best of the 1980s. Stephen Thomas Erlewine of AllMusic, rated the album 5/5 stars and wrote "Get Happy!! bursts with energy and invention, standing as a testament to how Costello, the pop encyclopedia, can reinvent the past in his own image".^[18] In 2008, Chris Jones of the BBC gave it a rave review, calling it "Elvis' greatest album", and writing "Get Happy!! can still be considered the greatest coherent statement he ever created".^[19] In 1989, Rolling Stone placed it at No. 11 on its list of the 100 best albums of the 1980s.^[20] And, in 2002 Pitchfork placed it at No. 26 on its own list of the 100 best albums of the 1980s.^[21] In 2012, Slant Magazine listed the album at No. 68 on its list of "Best Albums of the 1980s".^[22] It is currently ranked on the website Acclaimed Music as the 76th most acclaimed album of the 1980s.^[23]

Track listing

All songs written by Elvis Costello unless otherwise indicated.

Side one

1. "Love for Tender" – 1:57
2. "Opportunity" – 3:13
3. "The Imposter" – 1:58
4. "Secondary Modern" – 1:58
5. "King Horse" – 3:01
6. "Possession" – 2:03
7. "Men Called Uncle" – 2:17
8. "Clowntime Is Over" – 2:59
9. "New Amsterdam" – 2:12
10. "High Fidelity" – 2:28

Side two

1. "I Can't Stand Up for Falling Down" (Homer Banks, Allen Jones) – 2:06
2. "Black & White World" – 1:56
3. "5ive Gears in Reverse" – 2:38
4. "B Movie" – 2:04
5. "Motel Matches" – 2:30
6. "Human Touch" – 2:30
7. "Beaten to the Punch" – 1:49
8. "Temptation" – 2:33
9. "I Stand Accused" (Tony Colton, Ray Smith) – 2:21
10. "Riot Act" – 3:35

Bonus tracks (1994 Rykodisc)

1. "Girls Talk" – 1:55
2. "Clowntime Is Over" (Version 2) – 3:44
3. "Getting Mighty Crowded" (Van McCoy) – 2:09
4. "So Young" (Jeff Burstin, Joe Camilleri, Tony Faehse) – 3:23
5. "Just a Memory" – 2:16
6. "Hoover Factory" – 1:43
7. "Ghost Train" – 3:05
8. "Dr. Luther's Assistant" – 3:27
9. "Black & White World" – 1:50
10. "Riot Act" (Demo) – 2:48
11. "Love for Tender" (Demo) – 1:39 [Unlisted track, intentionally ends abruptly]

Bonus Disc (2002 Rhino)

1. "I Stand Accused" (Alternate version) (Colton, Smith) – 3:10
2. "So Young" (Burstin, Camilleri, Faehse) – 3:28
3. "Girls Talk" – 1:56
4. "Human Touch" (Alternate version) – 2:20
5. "Temptation" – 2:28
6. "Motel Matches" (Alternate version) – 2:27
7. "Clowntime Is Over" – 3:46
8. "B Movie" (Alternate version) – 2:26
9. "Girls Talk" – 2:03
10. "Getting Mighty Crowded" (McCoy) – 2:09
11. "From a Whisper to a Scream" (Alternate version) – 2:30
12. "Watch Your Step" (Alternate version) – 2:02
13. "Dr Luther's Assistant" – 3:28
14. "Ghost Train" – 3:07
15. "New Lace Sleeves" (Alternate version) – 3:47
16. "Hoover Factory" – 1:45
17. "Just a Memory" – 2:17
18. "I Can't Stand Up for Falling Down" (Alternate version) (Banks, Jones) – 2:45
19. "New Amsterdam" (Alternate version) – 2:31
20. "Black & White World" (Demo version) – 1:51
21. "Riot Act" (Demo version) – 2:50
22. "5ive Gears in Reverse" (Demo version) – 2:33
23. "Love for Tender" (Demo version) – 2:07
24. "Men Called Uncle" (Demo version) – 2:06
25. "King Horse" (Demo version) – 2:45
26. "Seven O'Clock" (Demo version) – 2:00
27. "High Fidelity" (Live) – 3:17
28. "Opportunity" (Live) – 2:33
29. "The Imposter" (Live, also on Concerts for the People of Kampuchea) – 2:11
30. "Don't Look Back" (Live) – 4:41

Note: The Rykodisc version has the original tracks and bonus tracks on one CD. The Rhino version has two CDs with the original tracks on the first CD.

Personnel

• Elvis Costello – vocals, guitar, organ on "Possession", all instruments on "New Amsterdam"
• Steve Nieve – piano, organ
• Bruce Thomas – bass, harmonica on "I Stand Accused"
• Pete Thomas – drums

Charts

References