Lord Jim

Lord Jim
First edition cover
Author Joseph Conrad
Country Britain
Language English
Genre Psychological novel Modernism
Publisher Blackwood's Magazine
Publication date
 1900
OCLC 4326282

Lord Jim is a novel by Joseph Conrad originally published as a serial in Blackwood's Magazine from October 1899 to November 1900.

An early and primary event is the abandonment of a ship in distress by its crew including the young British seaman Jim. He is publicly censured for this action and the novel follows his later attempts at coming to terms with himself and his past.

In 1998, the Modern Library ranked Lord Jim 85th on its list of the 100 best English-language novels of the 20th century.

Plot summary

Recovered from an injury, Jim seeks a position on the Patna, a steamer whose journey is to carry 800 "pilgrims of an exacting faith" to a Red Sea port. He is hired as first mate. After some days of smooth sailing, the ship hits something in the night and begins taking on water. The captain thinks the ship will sink, and Jim agrees, but wants to put the passengers on the few boats before that can happen. The captain and two other crewmen think only to save themselves, freeing a boat. The helmsmen remain, as no order has been given to do otherwise. In a crucial moment, Jim jumps into the boat with the captain. A few days later, they are picked up by an outbound steamer. When they reach port, it is well known that the Patna and its passengers were brought in safely by a crew from a French gun ship. The action of the captain is against the code of seamen, abandoning both ship and passengers. The others on the small boat leave before the magistrate's court is convened; Jim is left to testify. All lose their certificates to sail. Brierly is on the panel of the court, a captain of perfect reputation, who commits suicide days after this trial.

Captain Marlow attends the trial and meets Jim, whose behavior he condemns, but the young man intrigues him. Marlow listens to Jim, then finds him a place to live, in the home of a friend. Jim is accepted there, but leaves abruptly when an engineer who also abandoned ship appears to work at the house. Jim works as a ship chandler's clerk in ports of the East, always succeeding in the job, then leaving abruptly when the Patna is mentioned. In Bangkok, he gets in a fight. Marlow realises that Jim needs a new situation. Marlow consults his friend Stein. Stein sees that Jim is a romantic and considers his situation. Stein offers Jim to be his trade representative or factor in Patusan, shut off from most commerce, which Jim finds to be exactly what he needs.

After his initial challenge of entering the remote settlement of Malay and Bugis, Jim finds success. He overcomes Sherif Ali, befriends the downtrodden fishing village, and builds a solid link with Doramin, the Bugis friend of Stein, and his son Dain Waris. For his leadership, they call him tuan Jim, or Lord Jim. Jim wins this respect by relieving them of the depredations of the bandit Sherif Ali and protecting them from the corrupt local Malay chief, Rajah Tunku Allang. Jim wins the love of Jewel, a young woman of mixed race, and is "satisfied... nearly". Marlow visits Patusan once, two years after Jim arrived there. He sees the success. Jewel will not believe that Jim will stay, as her father left her mother, men always leave, and she is not reassured that Marlow or any other will not arrive to take him from her. Her mother married Cornelius, previously given the role of factor by Stein for her benefit. Cornelius is displaced by Jim and resents it, though he treats his stepdaughter cruelly and stole the supplies Stein sent for sale. He is a lazy, jealous, brutal man. When the marauder arrives, Cornelius sees his chance to get rid of Jim. The marauder Captain "Gentleman" Brown, short on food and evil in his ways arrives in Patusan. The local defence led by Dain Waris holds Brown in place while Jim is off on a trip inland. Jim negotiates that Brown will leave Patusan free of attack, though the long passage down river to the sea is guarded by armed men. Cornelius tells Brown of a side channel, which Brown uses, and stops briefly to attack the group he finds, killing Dain Waris among others, and sails on, leaving Cornelius behind; Tamb' Itam kills Cornelius for what he did. Jewel had wanted Jim to attack Brown and his ship, not let them sail away unharmed. Neither considers the motives of Cornelius. Upon receiving word of the death of his good friend, Jim goes directly to Doramin, who uses his gun, given him by Stein, to shoot Jim in the chest, his response to the death of his only son.

On his regular route, Marlow arrives at Stein's house a few days after this event, finding Jewel and Jim's man, Tamb' Itam there, trying to make sense of what happened. Jewel stays in Stein's house.

Characters

Continuity with other novels by Conrad

Marlow is the narrator of three of Conrad's other works: Heart of Darkness, Youth, and Chance.

Allusions to historical events

The crucial event in Lord Jim may have been based in part on an actual abandonment of a ship. On 17 July 1880, S.S. Jeddah sailed from Singapore bound for Penang and Jeddah, with 778 men, 147 women and 67 children on board. The passengers were Muslims from the Malay states, travelling to Mecca for the hajj (holy pilgrimage). Jeddah sailed under the British flag and was crewed largely by British officers. After rough weather conditions, the Jeddah began taking in water. The hull sprang a large leak, the water rose rapidly, and the captain and officers abandoned the heavily listing ship. They were picked up by another vessel and taken to Aden where they told a story of violent passengers and a foundering ship. The pilgrims were left to their fate, and apparently certain death. However, on 8 August 1880 a French steamship towed Jeddah into Aden – the pilgrims had survived. An official inquiry followed, as it does in the novel.[1] Conrad may also have been influenced by the naturalist Alfred Russel Wallace's 1869 account of his travels and of the native peoples of the islands of Southeast Asia, The Malay Archipelago.[2]

The inspiration for the character of Jim was the Chief Mate of the Jeddah, 'Austin' Podmore Williams, whose grave was tracked down to Singapore's Bidadari Cemetery by Gavin Young in his book, In Search of Conrad. As in the novel, Williams created a new life for himself, returning to Singapore and becoming a successful ship's chandler.[3]

The second part of the novel is based in some part on the life of James Brooke, the first Rajah of Sarawak.[4] Brooke was an Indian-born English adventurer who in the 1840s managed to gain power and set up an independent state in Sarawak, on the island of Borneo. Some critics, however, think that the fictional Patusan is to be found not in Borneo but in Sumatra.[5][6]

Recognition

In 1998, the Modern Library Board ranked Lord Jim 85th on its list of the 100 best English-language novels of the 20th century.[7] In 1999, the French newspaper Le Monde conducted a contest among readers to rank which of 200 novels of the 20th century from France, Germany, United Kingdom, United States, Belgium, Austria, Austro-Hungarian Empire, Sweden, Italy, USSR, Czechoslovakia, that they remembered best. Seventeen thousand responses yielded the final list, which placed Lord Jim at number 75. The complete list is found in Le Monde's 100 Books of the Century in English, and also in French Wikipedia.[8]

Critical interpretation

The novel is in two main parts, firstly Jim's lapse aboard the Patna and his consequent fall, and secondly an adventure story about Jim's rise and the tale's denouement in the fictional country of Patusan, presumed a part of the Indonesian archipelago. The main themes surround young Jim's potential ("he was one of us", says Marlow, the narrator) thus sharpening the drama and tragedy of his fall, his subsequent struggle to redeem himself, and Conrad's further hints that personal character flaws will almost certainly emerge given an appropriate catalyst. “...even though Marlow has not revealed his true intention while calling Jim ‘one of us’, we have to agree with all the points... All the senses seem to be applicable to Jim- it is Marlow who may have intrinsic racism since he possibly starts helping Jim because he is a white man; besides, Jim has a shameful past like most others; furthermore, he deserves our sympathy and respect because he is trustworthy and a man of honour; perhaps, Jim is not homosexual but perhaps Marlow is and the latter has mistakenly [or correctly] thought that the former is homosexual; he is a man of courage and faces the hurdles of life with positivity; Jim is universal in the sense that he represents ‘everyman’; anyone regardless of the geographical frontiers can relate to his emotions and mental sufferings.” [9] Conrad, speaking through his character Stein, called Jim a romantic figure, and indeed Lord Jim is arguably Conrad's most romantic novel.[10]

In addition to the lyricism and beauty of Conrad's descriptive writing, the novel is remarkable for its sophisticated structure. The bulk of the novel is told in the form of a story recited by the character Marlow to a group of listeners, and the conclusion is presented in the form of a letter from Marlow. Within Marlow's narration, other characters also tell their own stories in nested dialogue. Thus, events in the novel are described from several viewpoints, and often out of chronological order.

The reader is left to form an impression of Jim's interior psychological state from these multiple external points of view. Some critics (using deconstruction) contend that this is impossible and that Jim must forever remain an enigma,[11] whereas others argue that there is an absolute reality the reader can perceive and that Jim's actions may be ethically judged.[12]

However, there is an analysis that shows in the novel a fixed pattern of meaning and an implicit unity that Conrad said the novel has. As he wrote to his publisher four days after completing Lord Jim, it is "the development of one situation, only one really, from beginning to end." A metaphysical question pervades the novel and helps unify it: whether the "destructive element" that is the "spirit" of the Universe has intention—and, beyond that, malevolent intention—toward any particular individual or is, instead, indiscriminate, impartial, and indifferent. Depending (as a corollary) on the answer to that question is the degree to which the particular individual can be judged responsible for what he does or does not do; and various responses to the question or its corollary are provided by the several characters and voices in the novel.[13]

The omniscient narrator of the first part remarks of the trial: "They wanted facts. Facts! They demanded facts from him, as if facts could explain anything!" Ultimately, Jim remains mysterious, as seen through a mist: "that mist in which he loomed interesting if not very big, with floating outlines – a straggler yearning inconsolably for his humble place in the ranks... It is when we try to grapple with another man's intimate need that we perceive how incomprehensible, wavering, and misty are the beings that share with us the sight of the stars and the warmth of the sun." It is only through Marlow's recitation that Jim lives for us – the relationship between the two men incites Marlow to "tell you the story, to try to hand over to you, as it were, its very existence, its reality – the truth disclosed in a moment of illusion."

Postcolonial interpretation of the novel, while not as intensive as that of Heart of Darkness, points to similar themes in the two novels – its protagonist sees himself as part of a 'civilising mission', and the story involves a 'heroic adventure' at the height of the British Empire's hegemony.[14] Conrad's use of a protagonist with a dubious history has been interpreted as an expression of increasing doubts with regard to the Empire's mission; literary critic Elleke Boehmer sees the novel, along with Dr. Jekyll and Mr. Hyde, as part of a growing suspicion that 'a primitive and demoralising other' is present within the governing order.

To put Jim's anguish into perspective, one must have committed in his past some crime morally or legally. Anyone who has not done so will never fully understand what Jim must do for redemption. Jim longs for his chance to restore what he lost by one single misstep (literally and figuratively). He believes and in the end it is a "debt" that can only be paid in his death.[14]

Film adaptations

The book has twice been adapted into film:

Allusions and references to Lord Jim in other works

References

  1. ↑ Dryden, Linda (2009). Introduction. Lord Jim. By Conrad, Joseph; Schlund-Vials, Cathy. Penguin Group. p. ix. ISBN 978-0-451-53127-8.
  2. ↑ Rosen, Jonathen (February 2007). "Missing Link: Alfred Russel Wallace, Charles Darwin's neglected double". The New Yorker. Retrieved 13 March 2013.
  3. ↑ Young, Gavin (1992). In Search of Conrad. Penguin Books. pp. 48–91. ISBN 978-0140172591.
  4. ↑ Conrad, Joseph. Watts, Cedric Thomas, ed. Lord Jim. Literary Texts. Broadview Press. pp. 13–14, 389–402. ISBN 978-1551111728. Retrieved 24 September 2009.
  5. ↑ Hampson, Robert (2005). Kaplan, Carola; Mallios, Peter; White, Andrea, eds. Conrad's Heterotopic Fiction. Conrad in the Twenty-first Century: Contemporary Approaches and Perspectives. Psychology Press. p. 126. ISBN 978-0415971652.
  6. ↑ "1923 Curle article".
  7. ↑ "100 Best Novels, Board's Choice". Modern Library. 1998. Retrieved 1 November 2016.
  8. ↑ Savigneau, Josyane (15 October 1999). "Écrivains et choix sentimentaux" [Authors and sentimental choices]. Le Monde (in French).
  9. ↑ Haque, Md. Ziaul (2015). "One of Us in Joseph Conrad's Lord Jim: Fact or Myth?". Journal of English Language and Literature. 3 (3): 317. Retrieved 25 August 2015.
  10. ↑ Watt, Ian (1981). Conrad in the Nineteenth Century. University of California Press. p. 346. ISBN 978-0520044050.
  11. ↑ Miller, J. Hillis (1985). Fiction and Repetition: Seven English Novels. Harvard University Press. p. 22. ISBN 978-0674299269.
  12. ↑ Schwartz, Daniel R. (1989). The Transformation of the English Novel. Palgrave Macmillan. p. 222. ISBN 978-0312023713.
  13. ↑ Newell, Kenneth B. (2011). Conrad's Destructive Element: The Metaphysical World-View Unifying LORD JIM. Newcastle upon Tyne: Cambridge Scholars Publishing. ISBN 1-4438-2667-7.
  14. 1 2 Boehmer, Elleke (2005). Colonial and postcolonial literature: migrant metaphors. Oxford University Press. pp. 59–60. ISBN 978-0-19-925371-5.
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