Pepita; or, the Girl with the Glass Eyes

Pepita; or, the Girl with the Glass Eyes, based on a story by E. T. A. Hoffmann, is a comic opera in three acts written by Alfred Thompson and composed by Edward Solomon. The opera was produced and directed by Thompson and Solomon and debuted at the Union Square Theatre, New York, then under the management of J. M. Hill, on March 16, 1886, and closed after a nine-week run on May 22.[1][2]

Principal roles and original cast

Sources:[3][4]

Pepita, Professor Pongo's Daughter .. Lillian Russell
Don Pablo, the governor's son and heir .. Chauncey Olcott/ G. Taglieri
Professor Pongo, Doctor of Sciences . . Jacques Kruger
Donna Carmansuita, Directress of Seminary for Young Ladies .. Alma Stuart Stanley
Don Giavolo, Governor of Scaliwaxico .... Fred Clifton
Don Juan, Pablo's inevitable friend .. George Wilkinson
Curaso, valet to Pablo .. Frederick Solomon
Pasquela, a forward pupil .. Lizzie Hughes
Maraquita, an advanced idem .. Clara Jackson
Chiquita, a prominent ditto .. Cora Striker
Juana, a maid in waiting .. Julia Wilson
Ballet Coryphée .. Miles. Pasta, S. Watson/ Forstner Atkins.

Synopsis

Setting: The City Of Scaliwaxico.[3]
Time—High Old. Period—Uncertain.
ACT I.—The Students' Frolic. Before Professor Pongo's House in Scaliwaxico.
ACT II.—The Professor's Prodigy. Interior of Pongo's Sanctum.
ACT III.—The Governor's Fete. Don Giavolo's Palace. In this scene will appear The Mechanical Waiters and The Humming Birds.

Plot

Professor Pongo is obsessed with automata, as is Governor Giavolo. Pepita, the professor's daughter and Pablo, the governor's son, are in love. Her father disapproves and Pablo is forbidden to visit. To gain entry past her father, Pablo disguises himself as one the cadavers Pongo planned to use to augment his mechanical devises. That night when Giavolo paid Pongo a visit, curious to view his mechanisms, neither knew that two of the automatons entertaining them were actually Pepita and Pablo concealed inside.[1]

References

  1. 1 2 "Union Square Theatre", The New York Times, March 17, 1886, p. ?? Retrieved 6.27.13
  2. ↑ Jeffers, Paul. Diamond Jim Brady: Prince of the Gilded Age, 2002, p. 59. Retrieved 6.27.13
  3. 1 2 Welch, Deshler. - The Theatre, vol. 1, 1886, p. 150. Retrieved 6.27.13
  4. ↑ Brown, Thomas Alston. A History of the New York Stage, 1903, p. 176. Retrieved 6.27.13
This article is issued from Wikipedia - version of the 10/19/2016. The text is available under the Creative Commons Attribution/Share Alike but additional terms may apply for the media files.