Sonnet 108

The first five lines of Sonnet 108 in the 1609 Quarto

Q1 Q2 Q3 C	What’s in the brain, that ink may character, Which hath not figur’d to thee my true spirit? What’s new to speak, what new to register, That may express my love, or thy dear merit? Nothing, sweet boy; but yet, like prayers divine, I must each day say o’er the very same, Counting no old thing old, thou mine, I thine, Even as when first I hallowed thy fair name. So that eternal love in love’s fresh case Weighs not the dust and injury of age, Nor gives to necessary wrinkles place, But makes antiquity for aye his page; Finding the first conceit of love there bred, Where time and outward form would show it dead.	4 8 12 14
	—William Shakespeare^[1]

Sonnet 108 is one of 154 sonnets written by the English playwright and poet William Shakespeare. It is a member of the Fair Youth sequence, in which the poet expresses his love towards a young man.

Paraphrase

Is there anything new I can say to express my love for you? No, sweet boy, there is nothing, but I must say the same things over again, like prayers to God, in order to keep eternal love fresh. The agedness of love disappears as it looks back to when it was first created, even though the passage of time would suggest it should by now have died.

Structure

Sonnet 108 is an English or Shakespearean sonnet. The English sonnet has three quatrains, followed by a final rhyming couplet. It follows the typical rhyme scheme of the form abab cdcd efef gg and is composed in iambic pentameter, a type of poetic metre based on five pairs of metrically weak/strong syllabic positions. The 14th line exemplifies a regular iambic pentameter:

  ×    /   ×   /   ×    /    ×      /  ×   / 
Where time and outward form would show it dead. (108.14)

The sonnet exhibits many metrical variations. There are initial reversals in lines 1, 5, 7, 8, and 13; as well as potential initial reversals in lines 9 and 10. For example:

 /  ×     ×  /     ×  /   ×   /     ×     / 
Finding the first conceit of love there bred, (108.13)

Lines 2 and 4 have final extrametrical syllables or feminine endings. Line 2 is particularly complex. It may be regular (apart from the feminine ending) — or it may suggest a rightward movement of an ictus (resulting in a four-position figure, × × / /, sometimes referred to as a minor ionic), but if so, it is not clear which:

                    ×   ×   /   /   ×    /(×)
                    ×   /   ×   ×   /    /(×)
  ×    /    ×   /   ×   /   ×   /   ×    /(×)
Which hath not figured to thee my true spirit? (108.2)

/ = ictus, a metrically strong syllabic position. × = nonictus. (×) = extrametrical syllable.

The meter demands that line 8's "even" function as one syllable.^[2]

Notes

↑ Pooler, C[harles] Knox, ed. (1918). The Works of Shakespeare: Sonnets. The Arden Shakespeare [1st series]. London: Methuen & Company. OCLC 4770201.
↑ Booth 2000, p. 95.

References

First edition and facsimile

Shakespeare, William (1609). Shake-speares Sonnets: Never Before Imprinted. London: Thomas Thorpe.
Lee, Sidney, ed. (1905). Shakespeares Sonnets: Being a reproduction in facsimile of the first edition. Oxford: Clarendon Press. OCLC 458829162.

Variorum editions

Alden, Raymond Macdonald, ed. (1916). The Sonnets of Shakespeare. Boston: Houghton Mifflin Company. OCLC 234756.
Rollins, Hyder Edward, ed. (1944). A New Variorum Edition of Shakespeare: The Sonnets [2 Volumes]. Philadelphia: J. B. Lippincott & Co. OCLC 6028485.

Modern critical editions

Atkins, Carl D., ed. (2007). Shakespeare's Sonnets: With Three Hundred Years of Commentary. Madison: Fairleigh Dickinson University Press. ISBN 978-0-8386-4163-7. OCLC 86090499.
Booth, Stephen, ed. (2000) [1st ed. 1977]. Shakespeare's Sonnets (Rev. ed.). New Haven: Yale Nota Bene. ISBN 0-300-01959-9. OCLC 2968040.
Burrow, Colin, ed. (2002). The Complete Sonnets and Poems. The Oxford Shakespeare. Oxford: Oxford University Press. ISBN 978-0192819338. OCLC 48532938.
Duncan-Jones, Katherine, ed. (2010) [1st ed. 1997]. Shakespeare's Sonnets. The Arden Shakespeare, Third Series (Rev. ed.). London: Bloomsbury. ISBN 978-1-4080-1797-5. OCLC 755065951.
Evans, G. Blakemore, ed. (1996). The Sonnets. The New Cambridge Shakespeare. Cambridge: Cambridge University Press. ISBN 978-0521294034. OCLC 32272082.
Kerrigan, John, ed. (1995) [1st ed. 1986]. The Sonnets ; and, A Lover's Complaint. New Penguin Shakespeare (Rev. ed.). Penguin Books. ISBN 0-14-070732-8. OCLC 15018446.
Mowat, Barbara A.; Werstine, Paul, eds. (2006). Shakespeare's Sonnets & Poems. Folger Shakespeare Library. New York: Washington Square Press. ISBN 978-0743273282. OCLC 64594469.
Orgel, Stephen, ed. (2001). The Sonnets. The Pelican Shakespeare (Rev. ed.). New York: Penguin Books. ISBN 978-0140714531. OCLC 46683809.
Vendler, Helen, ed. (1997). The Art of Shakespeare's Sonnets. Cambridge, MA: The Belknap Press of Harvard University Press. ISBN 0-674-63712-7. OCLC 36806589.

William Shakespeare

Plays

Tragedies	Antony and Cleopatra Coriolanus Hamlet Julius Caesar King Lear Macbeth Othello Romeo and Juliet Sir Thomas More* Timon of Athens Titus Andronicus Troilus and Cressida

Comedies	All's Well That Ends Well As You Like It The Comedy of Errors Cymbeline Love's Labour's Lost Measure for Measure The Merchant of Venice The Merry Wives of Windsor A Midsummer Night's Dream Much Ado About Nothing Pericles, Prince of Tyre* The Taming of the Shrew The Tempest Twelfth Night The Two Gentlemen of Verona The Two Noble Kinsmen* The Winter's Tale Cardenio* Love's Labour's Won

Histories	King John Edward III* Richard II 1 Henry IV 2 Henry IV Henry V 1 Henry VI* 2 Henry VI* 3 Henry VI* Richard III Henry VIII*

See also	Problem plays Late romances Characters A–K L–Z Chronology Performances Settings Quarto publications First Folio Second Folio

Poems

Life
and works

Legacy

* Shakespeare and other authors
Lost

Shakespeare's sonnets

"Fair Youth" sonnets

Procreation sonnets	1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17

Rival Poet sonnets	78 79 80 81 82 83 84 85 86

"Envoy"	126

"Dark Lady" sonnets

"Anacreontics"	153 154

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