Take That: For the Record

Take That: For the Record is a television documentary about the British boy band Take That. It was originally screened in 2005, a decade after the group had originally split up.

Release information

Take That: For the Record is a documentary recording of the first reunion since the band's 1996 split. Aired on 17 November 2005,^[1] it reached an audience of over six million viewers.^[2]

Marking the tenth anniversary since the group's disbandment, the documentary featured all the members of Take That in recorded interviews, including former member Robbie Williams who was not physically present at their reunion. The production company, Back2back productions, won a Grierson Award for Best Documentary on the Arts.^[3]

Following the telecast of the documentary and subsequent interest in the band, Take That announced they were to go on tour again.^[2] The band's Ultimate Tour 2006 was also recorded and released on the video release Take That: The Ultimate Tour the following year. The documentary was released on DVD in April 2006.^[4] The DVD also contains over 100 minutes of rare and previously unseen footage including clips of Howard Donald's unreleased single "Speak Without Words".^[5]

Synopsis

The documentary starts with each band member describing how they were found by their manager Nigel Martin-Smith, with Nigel acknowledging that a demo tape from Gary Barlow with a song called "A Million Love Songs" triggered his decision to form a band.

Reviewing their early years, the band comment on their early performances in schools and gay clubs as well as their first single, "Do What U Like". Gary acknowledges that the song nor the video was brilliant. Their follow-up single "Promises" is shown as they remember themselves going around the country performing roadshows and Robbie remembering his fascination with the song being their first chart entry. Gary admits he felt defeated releasing a cover version of Tavares's 1970s hit "It Only Takes a Minute" in order to get officially noticed by the world.

Looking back on their first No. 1 single "Pray", Gary claims he was determined to write an unbelievable second album (Everything Changes), and believes it was the first song that allowed people to take them seriously, despite their image becoming dominated by sexy images of the band and realising how successful they had become, primarily with girls becoming obsessed with them. Jason Orange reflects on his friendship with Lulu following the success of their cover version of Dan Hartman's 1970s hit "Relight My Fire", stating that she met the success of the band very well despite Nigel Martin-Smith stating that the record company preferred a black diva. Fans interviewed tell that the life of a Take That fan revolved entirely around the band. Security guards escorting the band reflect on the danger and harm that was caused by pulling the band through crowds and protecting them from obscene behaviour from fans. Following on from the band's split, the film depicts the hurt and pain felt by devoted fans and the suicide counselling lines that were set up for young women.

The documentary details the cracks that began to form after the band achieved success, with the band acknowledging the arguments between them were escalating to greater degrees and perhaps too much money was coming in for them to handle. The film's main focus on this is the drug and alcohol abuse from Robbie, with the band acknowledging that they would never have guessed the amount of booze and drugs he was taking. Gary says they always saw him as a lively person who never wanted to be taken seriously.

The band claim the reasons behind Williams's departure from the group were due to drug abuse, as well as friction with Gary Barlow and Jason Orange. Williams admits that he had experimented with different kinds of drugs before joining the band, and that "I was sort of heading into that direction anyway." Mark confesses he never knew the extent of Robbie's problems, admitting his bandmate hid them well. After the group confronted Robbie about his erratic behaviour, they gave him an ultimatum to change his ways or leave the band. Upon learning they were planning to tour as a four-piece, he angrily vowed to quit Take That and stormed off. Nigel Martin-Smith stated he sued Robbie for £200,000 in commission following his departure, and expresses he feels sorry and sad for Robbie to this day after claiming Robbie is ungrateful for the part Martin-Smith played in his career. In turn, Williams described Martin-Smith as "the most disturbing person I've worked with" and confesses he only wanted love and acceptance from him.

The band says they pulled together and finished off the tour without Robbie, without thought for what he was doing; however, upon finishing the tour, they realised the band was no longer fun for them and decided it was time to call it a day. When the group finally announced the break-up in 1996, Nigel Martin-Smith revealed that Howard Donald was the only one who wanted to keep the band going and did not want it to end. Donald then admitted that he considered committing suicide by jumping in the River Thames, but he was too scared to follow through. Martin-Smith expresses shock over Donald's suicidal thoughts and admits he never knew about it. Following the split, the film reflects on the brief media hype that saw Gary and Robbie battling for highest record sales, with Gary defending his first album and singles, but admitted he felt as though he was repeating old ground.

Williams claims that he was at his worst with alcohol and drugs at the time of the hype between him and Gary, but he clearly remembers hearing Gary's solo work and not rating it at all. At the time, Williams was becoming a powerful influence in the media following his worldwide hit single "Angels" and made his feelings public on Gary's work, playing a major part on Gary's decision to leave the music industry. On his time away from the industry, Barlow stated in the film that having been dropped by record company RCA following his second album, he felt too humiliated to continue on and was eager to leave the industry. He revealed he spent most of time in the beginning lying in bed feeling down and low, and asked if he ever wished he was Robbie Williams, Barlow stated he didn't care for Robbie's persona, but wished he had the same career status.

Ten years after their split, Take That meet together for the first time. Since leaving his solo career, Gary reveals he started a family and focused exclusively on songwriting and producing. Howard briefly attempted a career by recording an album, but the album was never released and admits he went to pieces, but he nonetheless returned to the nightclub circuit as a DJ focussing on his life with his daughter from a previous relationship. Mark details his success as a solo artist and later joining another band, and Jason reveals his isolation from music and spending his time traveling the world. They learn that Robbie turned down their invitation, but he filmed a video message for them. He admits he is shocked and sorry to hear of Howard's suicide attempt and jokes about their memories socialising with one another. He apologises to Jason for acting the way he did before and after he left the band, praises Mark for being the nicest person he ever met as well as a musical genius, and he apologizes to Gary for taunting his flagging solo career. Each of the members agree they should have tried to help Robbie, and that they were more interested in protecting the group. In a private interview, Robbie confesses that he would still be unable to get any resolve from meeting with Barlow still believing that he doesn't acknowledge to this day what irritated Robbie so much about him, but he states that he would trade all his wealth and success for Barlow's happy family life.

The documentary ends with the group walking off, with the narrator acknowledging the path they laid for acts such as the Spice Girls and Boyzone, and with "Never Forget" playing over the end credits.

Reception and band reunion

Following the film's critical reception from fans and the press, on 25 November 2005, nine days after the film aired, the post-Williams line-up announced the film had inspired them to reunite and tour their greatest hits, naming the tour The Ultimate Tour.

Following the success of the tour, the band decided to record new material and their first album since the break-up, Beautiful World, although Williams opted not to be involved.

The success of their work led the band back to mainstream fame, and they have continued to produce new albums since. 2010 saw the return of Robbie Williams to the line-up and the release of the first album with all five band members since 1995, Progress. Williams later left again to focus on his family life and his solo career, but Barlow commented that he is welcome to rejoin. Williams has since stated he will probably rejoin, but a date for this event is unknown. Orange left later in 2014, stating that he did not wish to continue writing and making music. The band have since recorded their seventh studio album, III, as a trio.

Release history

References

1. ↑ Did You See?: Take That - For The Record (ITV1) - Film and tv - Entertainment - Manchester Evening News
2. 1 2 Take That take to the road again | | guardian.co.uk Arts
3. ↑ back2back productions - www.back2back.tv
4. ↑ Take That: For the Record (2006) (TV) - Release dates
5. ↑ Aerial Telly: Take That... for the Record, ITV review