Trionfo di Afrodite

Trionfo di Afrodite
Scenic cantata by Carl Orff
The composer, aquatint etching
Description	concerto scenico
Translation	Triumph of Aphrodite
Language	Latin Greek
Based on	wedding poems by Catullus, Sappho and Euripides
Premiere	23 March 1953 (1953-03-23) La Scala, Milano

Trionfo di Afrodite (Italian, literally Triumph of Aphrodite) is a cantata called "concerto scenico" (scenic concert) written in 1951 by the German composer Carl Orff. It is part of Trionfi, the musical triptych that also includes Carmina Burana and Catulli Carmina. In this case, "Trionfo" refers to the Roman and Renaissance trionfo, meaning "procession" or "festival". Trionfi was premiered in 1953 at La Scala in Milano, conducted by Herbert von Karajan.

Like Igor Stravinsky's Les Noces, Trionfo di Afrodite describes rituals for a (in this case Greek-Roman) wedding. The texts are based on Latin wedding poems by Catullus, as well as Greek poems by Sappho and a small part by Euripides. Despite the large orchestra, the instrumentation is often sparse, especially in the Greek verses, and the music is strongly influenced by the rhythms and melodies of the spoken word,^[1] though little importance is actually given to both tonic and prosodic accent. The piece closes with a triumphant apparition of Aphrodite herself, a rare instance when the full choral and orchestral forces are actually used.

Apart from the orchestra, the piece calls for five soloists (SSTTB) and a large mixed chorus.

Structure

The work is divided into seven parts:

Antiphon of the virgins and young men
Wedding procession and arrival of the bride and groom
Bride and groom
Invocation of Hymenaios - hymn to Hymenaios
Games and wedding songs in front of the wedding chamber
Song of the newlyweds from the wedding chamber
Apparition of Aphrodite

Orchestra

The work calls for a large orchestra with an enhanced percussion section, consisting of the following:

Woodwind: 3 Flutes (all 3 doubling Piccolos); 3 Oboes (2nd and 3rd doubling English Horns); 3 Clarinets in B-flat; 3 Bassoons (3rd doubling Contrabassoon)

Brass: 6 Horns in F; 3 Trumpets; 3 Trombones; 2 Tubas

Percussion (requiring 10-12 players, not counting Timpani): 6 Timpani; 4 Standard Cymbals (2 suspended, 1 pair crash); Tam-Tam; Tubular bells; Tambourine; 2 Snare Drums; 2 Bass Drums; 4 Maracas; 4 Wood blocks; 3 Glockenspiels; Xylophone; Marimba; Tenor Xylophone

Miscellaneous: 2 Harps; 3 Guitars; 3 Pianos

Strings: Violins I (12-14); Violins II (12-14); Violas (12); Violoncellos (12); Double basses (8)

References

↑ http://www.orff.de/en/works/trionfi/trionfo-di-afrodite.html

Carl Orff

Operas	Der Mond (1939) Die Kluge (1943) Antigonae (1949) De temporum fine comoedia (1973)

Pedagogical	Orff Schulwerk (1920s) "Gassenhauer"

Cantatas	Trionfi Carmina Burana (1935–36) "O Fortuna" "O Fortuna" in popular culture Catulli Carmina (1940–43) Trionfo di Afrodite (1951)

Named for Orff	Carl-Orff-Saal of the Gasteig

Related articles	American Orff-Schulwerk Association Carmina Burana (album) Gunild Keetman Margaret Murray Rotae Passionis

Category:Compositions by Carl Orff

Authority control	WorldCat Identities VIAF: 184888366 LCCN: no95052705 GND: 4443004-8 SUDOC: 14032125X BNF: cb13957366m (data)

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