Sutra of Forty-two Chapters

The Sutra of Forty-two Chapters (also called the Sutra of Forty-two Sections, Chinese: 四十二章經) is often regarded as the first Indian Buddhist sutra translated into Chinese. However, this collection of aphorisms may have appeared some time after the first attested translations, and may even have been compiled in Central Asia or China.[1] According to tradition, it was translated by two Yuezhi monks, Kasyapa Matanga (迦葉摩騰) and Dharmaratna (竺法蘭), in 67 CE. Because of its association with the entrance of Buddhism to China, it is accorded a very significant status in East Asia.[2]

Story of translation

In the Annals of the Later Han and the Mouzi lihuo lun, Emperor Ming of Han (r. 58-75 C.E.) was said to have dreamed of a spirit, who had a "gold body" and a head which emitted "rays of light".[3] His advisers identified the spirit as Buddha, who was supposed to have the power of flight.[4] The emperor then ordered a delegation (led by Zhang Qian [5]) to go west looking for the Buddha's teachings. The envoys returned, bringing with them the two Indian monks Kasyapa Matanga and Dharmaratna, and brought them back to China along with the sutra. When they reached the Chinese capital of Luoyang, the emperor had the White Horse Temple built for them.[6]

They are said to have translated six texts, the Sutra of Dharmic-Sea Repertory (法海藏經), Sutra of the Buddha's Deeds in His Reincarnations (佛本行經), Sutra of Terminating Knots in the Ten Holy Terras (十地斷結經), Sutra of the Buddha's Reincarnated Manifestations (佛本生經), Compilation of the Divergent Versions of the Two Hundred and Sixty Precepts (二百六十戒合異), and the Sutra of Forty-two Chapters. Only the last one has survived.[7]

Scholars, however, question the date and authenticity of the story. First, there is evidence that Buddhism was introduced into China prior to the date of 67 given for Emperor Ming's vision. Nor can the sutra be reliably dated to the first century. In 166 C.E., in a memorial to Emperor Huan, the official Xiang Kai referred to this scripture multiple times. For example, Xiang Kai claims that, "The Buddha did not pass three nights under the [same] mulberry tree; he did not wish to remain there long," which is a reference to Section 2 of the scripture. Furthermore, he also refers to Section 24 of the scripture, when Xiang Kai tells the story of a deity presenting a beautiful maiden to the Buddha, to which the Buddha replies that "This is nothing but a leather sack filled with blood."[8] Nonetheless, while these sections seem to mirror the extant edition of the text, it is possible that the edition we now have differs substantially from the version of the text circulating in the second century.

Structure and comparison with other works

The Sutra of Forty-two Chapters consists of a brief prologue and 42 short chapters (mostly under 100 Chinese characters), composed largely of quotations from the Buddha. Most chapters begin "The Buddha said..." (佛言...), but several provide the context of a situation or a question asked of the Buddha. The scripture itself is not considered a formal sutra, and early scriptures refer to the work as "Forty-two Sections from Buddhist Scriptures" or "The Forty-two Sections of Emperor Xiao Ming." [9]

It is unclear whether the scripture existed in Sanskrit in this form, or was a compilation of a series of passages extracted from other canonical works in the manner of the Analects of Confucius. This latter hypothesis also explains the similarity of the repeated "The Buddha said..." and "The Master said," familiar from Confucian texts, and may have been the most natural inclination of the Buddhist translators in the Confucian environment, and more likely to be accepted than a lengthy treatise.[10] Among those who consider it based on a corresponding Sanskrit work, it is considered to be older than other Mahayana Sutras, because of its simplicity of style and naturalness of method.[11] Scholars have also been able to find the aphorisms present in this scripture in various other Buddhist works such as Digha, Majjhima, Samyutta, Anguttara Nikayas, and Mahavagga. Furthermore, scholars are also uncertain if the work was first compiled in India, Central Asia, or China.[12]

In fiction

In Jin Yong's novel The Deer and the Cauldron, the Sutra of Forty-two Chapters is the key to the Manchu's treasures. The Shunzhi Emperor, who is unwilling to let out the secret, spread rumours about it being the source of life of the invading Manchus. The protagonist, Wei Xiaobao, manages to get hold of all the eight books at the end of the novel.

In modern Buddhism

The Sutra in Forty-two Chapters is well known in East Asian Buddhism today. It has also played a role in the spread of Buddhism to the West. Shaku Soen (1859-1919), the first Japanese Zen master to teach in the West, gave a series of lectures based on this sutra in a tour of America in 1905-6. John Blofeld, included a translation of this scripture in a series begun in 1947.[13]

Notes

  1. ↑ Sharf 1996, p.360
  2. ↑ Kuan, 12.
  3. ↑ Sharf 1996, p.360
  4. ↑ Sharf 1996, p.360
  5. ↑ Sharf 1996, p.360
  6. ↑ Sharf 1996, p.361
  7. ↑ Kuan, 19-24.
  8. ↑ Sharf 1996, p.361
  9. ↑ Sharf 1996, p.361-362
  10. ↑ Soyen Shaku. "The Sutra of Forty Chapters". Zen for Americans. Retrieved 2007-03-21.
  11. ↑ Beal, S. (1862). "The Sutra of Forty-two Sections". Journal of the Royal Asiatic Society 19, 337-349. Retrieved 2007-03-21.
  12. ↑ Sharf 1996, p.362
  13. ↑ Sharf 1996, p.362.

References

Text of the Sutra

Translations

English

German

Latin

This article is issued from Wikipedia - version of the 11/27/2016. The text is available under the Creative Commons Attribution/Share Alike but additional terms may apply for the media files.